Labrador (N.L.) -- Fiction; London (England) -- Fiction; Love stories, English
She sprang to her feet. There came a sound of wind outside, a shifting
of snow on the roof, and the door creaked. "Half-past eleven," she
exclaimed looking at the watch that hung in the light of the stove door.
"I don't want to sleep yet; do you? I'm going to brew some tea--make a
convivial drink. And then we will go on talking. It's so good talking to
you. So good!... I've an idea! Don't you think on this special day, it
might run to a biscuit?" Her face was keenly anxious. He nodded. "One
biscuit each," she said, trying to rob her voice of any note of
criminality. "Just one, you know, won't matter."
She hovered for some moments close to the stove before she went into the
arctic corner that contained the tin of tea. "If we can really live like
that!" she said. "When we are home again."
"Why not?" he answered.
She made no answer, but went across for the tea....
He turned his head at the sound of the biscuit tin and watched her put
out the precious discs.
"I shall have another pipe," he proclaimed, with an agreeable note of
excess. "Thank heaven for unstinted tobacco...."
And now Marjorie's mind was teaming with thoughts of this new conception
of a life lived for understanding. As she went about the preparation of
the tea, her vividly concrete imagination was active with the
realization of the life they would lead on their return. She could not
see it otherwise than framed in a tall, fine room, a study, a study in
sombre tones, with high, narrow, tall, dignified bookshelves and rich
deep green curtains veiling its windows. There should be a fireplace of
white marble, very plain and well proportioned, with furnishings of old
brass, and a big desk towards the window beautifully lit by electric
light, with abundant space for papers to lie. And she wanted some touch
of the wilderness about it; a skin perhaps....
The tea was still infusing when she had determined upon an enormous
paper-weight of that iridescent Labradorite that had been so astonishing
a feature of the Green River Valley. She would have it polished on one
side only--the other should be rough to show the felspar in its natural
state....
It wasn't that she didn't feel and understand quite fully the intention
and significance of all he had said, but that in these symbols of
texture and equipment her mind quite naturally clothed itself. And
while this room was coming into anticipatory being in her mind, she was
making the tea very deftly and listening to Trafford's every word.
§ 15
Public-domain text, read in full here on John Shaqi.
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