Good fortune had brought out Lady Petchworth's social aptitudes. Summerhay Park was everything that a clever woman, inspired by that gardening literature which has been so abundant in the opening years of the twentieth century, could make it. It had rosaries and rock gardens, sundials and yew hedges, pools and ponds, lead figures and stone urns, box borderings and wilderness corners and hundreds and hundreds of feet of prematurely-aged red-brick wall with broad herbaceous borders; the walks had primroses, primulas and cowslips in a quite disingenuous abundance, and in spring the whole extent of the park was gay, here with thousands of this sort of daffodil just bursting out and here with thousands of that sort of narcissus just past its prime, and every patch ready to pass itself off in its naturalized way as the accidental native flower of the field, if only it hadn't been for all the other different varieties coming on or wilting-off in adjacent patches.... Her garden was only the beginning of Lady Petchworth's activities. She had a model dairy, and all her poultry was white, and so far as she was able to manage it she made Summerhay a model village. She overflowed with activities, it was astonishing in one so plump and blonde, and meeting followed meeting in the artistic little red-brick and green-stained timber village hall she had erected. Now it was the National Theatre and now it was the National Mourning; now it was the Break Up of the Poor Law, and now the Majority Report, now the Mothers' Union, and now Socialism, and now Individualism, but always something progressive and beneficial. She did her best to revive the old village life, and brought her very considerable powers of compulsion to make the men dance in simple old Morris dances, dressed up in costumes they secretly abominated, and to induce the mothers to dress their children in art-coloured smocks instead of the prints and blue serge frocks they preferred. She did not despair, she said, of creating a spontaneous peasant art movement in the district, springing from the people and expressing the people, but so far it had been necessary to import not only instructors and material, but workers to keep the thing going, so sluggish had the spontaneity of our English countryside become.