Man-woman relationships -- Fiction; Marriage -- Fiction
The maid replied that Miss Floyd had not yet returned, but had left a
message begging Mrs. Verrier to wait for her. The visitor was
accordingly ushered to the drawing-room on the first floor.
This room, the staircase, the maid, all bore witness to Miss Floyd's
simplicity--like the Romney dress of Mount Vernon. The colour of the
walls and the hangings, the lines of the furniture, were all subdued,
even a little austere. Quiet greens and blues, mingled with white,
showed the artistic mind; the chairs and sofas were a trifle stiff and
straight legged; the electric fittings were of a Georgian plainness to
match the Colonial architecture of the house; the beautiful
self-coloured carpet was indeed Persian and costly, but it betrayed its
costliness only to the expert. Altogether, the room, one would have
said, of any _bourse moyenne_, with an eye for beauty. Fine photographs
also, of Italian and Dutch pictures, suggested travel, and struck the
cultivated cosmopolitan note.
Mrs. Verrier looked round it with a smile. It was all as unpretending as
the maid who ushered her upstairs. Daphne would have no men-servants in
her employ. What did two ladies want with them, in a democratic country?
But Mrs. Verrier happened to know that Daphne's maid-servants were just
as costly in their degree as the drawing-room carpet. Chosen for her in
London with great care, attracted to Washington by enormous wages, these
numerous damsels played their part in the general "simplicity" effect;
but on the whole Mrs. Verrier believed that Daphne's household was
rather more expensive than that of other rich people who employed men.
She walked through the room, looking absently at the various photographs
and engravings, till her attention was excited by an easel and a picture
upon it in the back drawing-room. She went up to it with a muttered
exclamation.
"So _she_ bought it! Daphne's amazing!"
For what she saw before her was a masterpiece--an excessively costly
masterpiece--of the Florentine school, smuggled out of Italy, to the
wrath of the Italian Government, some six months before this date, and
since then lost to general knowledge. Rumour had given it first to a
well-known collection at Boston; then to another at Philadelphia; yet
here it was in the possession of a girl of two-and-twenty of whom the
great world was just--but only just--beginning to talk.
"How like Daphne!" thought her friend with malice. The "simple" room,
and the priceless picture carelessly placed in a corner of it, lest any
one should really suppose that Daphne Floyd was an ordinary mortal.
Public-domain text, read in full here on John Shaqi.
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