Married or single?, Vol. 1 (of 3)Croker, B. M. (Bithia Mary)
General
Married or single?, Vol. 1 (of 3)
Croker, B. M. (Bithia Mary)
English fiction -- Irish authors
The bravura was followed by a duet, the duet by a violin solo, then one
or two songs. With regard to the last of these, the miserable performer
found her feelings quite too overpowering, and after some gurgling in
the throat, and sniffing in her handkerchief, she collapsed into floods
of tears, and was briskly hustled into the background and hidden behind
the others, whilst, at a moment’s notice, Madeline West was commanded
to take her place and step into the gap.
Poor Madeline! It had not been intended that she should perform. She
had no friends among the audience; no complacent relations to clap
their hands and look proud and important. When the last words of “A
Finland Love Song” had died away in silence--a silence caused by
surprise and emotion--there was a pause of a full minute, and then
a tremendous hurricane of applause burst forth. Ladies winked away
unaccustomed tears, and clapped in a manner that was trying to their
new ten-button gloves; their hearts were moved for the moment; some
chord had been touched by that fresh young voice, by those sympathetic
words, a chord that vibrated, and woke up old memories of the days when
_they_ were young--those days so sad, so sweet, that were no more.
The men encored tumultuously, not only because the singer had a lovely
voice, and sang from her very heart, but--oh, well, because men will be
men, and because the girl in black was uncommonly pretty. “Auld Robin
Gray” was vociferously commanded, but the fair vocalist was adamant;
she only curtseyed timidly, and curtseyed again. No one but herself
had seen Miss Selina’s emphatic shake of the head, as she met her cold
grey eye in that “little look across the crowd.” No, there was to be no
encore.
After the concert, the room was cleared for dancing, and Madeline took
up her post at the best (the drawing-room) piano and played first a
set of lancers, to set every one going, and to polish off the dowagers
and duty dances, and then a waltz--and yet another waltz. It was very
dull work for her. She was placed with her back to the company, and
could neither see nor be seen--which was precisely what Miss Selina
had intended; but the pretty singer was not to be so easily concealed.
More than one would-be partner vainly begged for an introduction. More
than one crafty young man pleaded _fatigue_, and halted long in the
neighbourhood of the piano, where he could obtain a good view of the
charming _pianiste_. After the third waltz, played by Madeline’s weary
fingers, Mr. Wynne approached, and said, as she stood up selecting the
next piece on the programme--
“Miss West, we have all to thank you for your capital playing,” holding
out his hand as he spoke. “And now I hope you will give me the pleasure
of this dance?” She touched his hand timidly, and shook her head. “Oh!
I beg your pardon!” he exclaimed, with a quick glance at her black
dress. “Let me, at least, take you to the tea-room. You must want some
refreshment after your exertions.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account