Altogether the carets offer to our inspection glosses in finer print
upon the general text of the canals. Thought upon what they show takes
us a step farther toward the solution of the strange riddle of this
other world, a riddle which he who runs may not read, still less scout,
and which only reasoning, without prejudice or partiality, can unravel.
CHAPTER XXII
THE CANALS PHOTOGRAPHED
Photography holds to-day a place of publicity in the exposition of the
stars. Directed by Draper to the heavens thirty-four years ago, the
camera recorded then the first picture ever taken of the moon. From
this initial peering into celestial matters, practice has progressed
until now the dry plate constitutes one of the most formidable engines
in astronomic research. Not most effectively, however, in the field
which might have been predicted. Beautiful as the lunar presentment
was, as a presentiment of what was coming, it pointed astray. For it is
not in lunar portrayal, superbly as its crater walls in crescent
chiaroscuro or its crags that cast their tapering shadows athwart the
dial of its plains stand out in the latest photographs of our
satellite, that the camera’s greatest service has since been done.
Impressive as they are, these pictorial triumphs are chiefly popular,
and appeal on their face to layman and scientist alike. Not in the
nearest to us of the orbs of heaven, but in the most remote has
celestial photography’s most prolific field been found to lie. Its
province has proved preëminently the stars, especially the farthest
off, and that star-dust, the nebulæ, from out of which the stars are
made. Reason for this explains at once its efficiency and its
limitations.
Its rival, of course, is the eye. It is as regards the eye that its
comparative merits or demerits stand to be judged. Now, thus viewed,
its superiority in one respect is unquestionable; it simply states
facts. But though it cannot misinform, it can color its facts by giving
undue prominence to the effect of some rays and suppressing the
evidence of others, so that its testimony is not, it must be
remembered, always in accord with that of human vision. Speaking
broadly, however, it is so little complicated a machine as to register
its results with more precision than the retina. The evidence of the
camera has thus one important advantage over other astronomic
documents: it is impersonally trustworthy in what it states. Bias it
has none, and its mistakes are few. Imperfections, indeed, affect it,
but they are of purely physical occasion and may be eliminated or
accounted for as well by another as by the photographer himself.
Public-domain text, read in full here on John Shaqi.
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