In trustworthiness, then, so far as it goes, it stands commended; not
so much may be said of its ability. This depends upon the work to which
it is put. In certain lines it asserts preëminence; in certain others
it is so far behind as to be out of the race. The reason for both is
one and the same, for, as the French would say: It has the faults of
its quality. The very trait that fits it for one function, bars it from
the other. This excellence is that by which the tortoise outstripped
the hare,—a plodding perseverance. Far less sensitive than the retina
the dry plate has one advantage over its rival,—its action is
cumulative. The eye sees all it can in the twentieth of a second; after
that its perception, instead of increasing, is dulled, and no amount of
application will result in adding more. With the dry plate it is the
reverse. Time works for, not against it. Within limits, themselves
long, light affects it throughout the period it stands exposed and,
roughly speaking, in direct ratio to the time elapsed. Thus the camera
is able to record stars no human eye has ever caught and to register
the structure of nebulæ the eye tries to resolve in vain.
Where illumination alone is concerned the camera reigns supreme; not so
when it comes to a question of definition. Then by its speed and
agility the eye steps into its place, for the atmosphere is not the
void it could be wished, through which the light-waves shoot at will.
Pulsing athwart it are air-waves of condensation and rarefaction that
now obstruct, now further, the passage of the ray. By the nimbleness of
its action the eye cunningly contrives to catch the good moments among
the poor and carry their message to the brain. The dry plate by its
slowness is impotent to follow. To register anything, it must take the
bad with the better to a complete confusion of detail. For the
air-waves throw the image first to one place and then to another, to a
blotting of both.
All of which renders the stars, where lighting counts for so much and
form for so little, the peculiar province of celestial photography.
With the study of the surfaces of the planets the exact contrary is the
case. With most of them illumination is already to be had in abundance;
definition it is that is desired. What succeeds so excellently with the
stars is here put to it to do anything at all. At its best, the camera
is hopelessly behind the eye when it comes to the decipherment of
planetary detail. To say that the eye is ten times the more perceptive
is not to overstep the mark. To try, therefore, here to supplant the
eye by the camera is time thrown away.
Public-domain text, read in full here on John Shaqi.
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