With Mars discovery has from the start waited on apparent disk. To this
end every optical advance has contributed from the time of Galileo’s
opera-glass to the present day. For apparent distance stands determined
by the size of the eye. But although it is the telescopic eye that has
increased, not the distance that has diminished, the effect has been
kin to being carried nearer the planet and so to a scanning of its disk
with constantly increasing particularity. Mankind has to all intents
and purposes been journeying Marsward through the years. Any historic
account of the planet, therefore, becomes a chronicle of seeming bodily
approach.
Perhaps no vivider way of making this evident and at the same time no
better preface to the present work could be devised than by putting
before the eye in orderly succession the maps made of Mars by the
leading areographers of their day, since the planet first began to be
charted sixty-five years ago. The procedure is as much as possible like
standing at the telescope and seeing the phenomena steadily disclose.
Seen thus in order the facts speak for themselves. They show that from
first to last no doubt concerning what was seen existed in the minds of
those competent to judge by systematic study of the planet at first
hand, and furthermore, from their mutual corroboration, that this
confidence was well placed. For, far from there being any conflict of
authorities in the case, those entitled to an opinion in the matter
prove singularly at one.
Beginning with Maedler in 1840 the gallery of such portraitures of the
planet comprises those by Kaiser, Green and Schiaparelli, continued
since Schiaparelli’s time by the earlier ones of the present writer. To
this list has been added one by Flammarion, which though not solely
from his own work gives so just a representation of what was known at
the date, 1876, as to merit inclusion. The remarkable drawings of Dawes
and the excellent ones of Lockyer in 1862-1864 were never combined into
maps by the observers, and though the former’s were so synthesized by
Proctor in 1867, the result was conformed to what Proctor thought ought
to be and so is not really a transcript of the drawings themselves.
Public-domain text, read in full here on John Shaqi.
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