Unmoved by the universal scepticism which rewarded what was to prove an epoch-making discovery, Schiaparelli went on, in the judgment of his critics, from bad to worse—for in 1879 (Map VI) he took up again his scrutiny of the planet to the detecting of yet more particularity. He re-observed most of his old canals and discovered half as many more; and as his map shows he perceived an increased regularity in his lines. In 1881-1882 (Map VII) he attacked the planet again and with results yet further out of the common. His lines were still there with more beside. If they had looked strange before, they now appeared positively unnatural. Not content with a regularity which seemed to the sceptics to preclude their being facts, he must needs see them now in duplicate. To the eyes of disbelief this was the crowning stroke of factitiousness. In consequence no end of adverse criticism was heaped upon his observations by those who could not see. But curiously enough,—what did not attract attention,—the blindness of the critics was as much mental as bodily. For they failed to perceive that the very unnaturalness which seemed to them to discredit his observations really proved their genuineness. His discoveries were so amazing that any change in strangeness simply went to confirm the universal scepticism and clouded logic. Yet properly viewed, a pregnant deduction stands forth quite clearly on a study of the maps. [Illustration: Map V. Schiaparelli, 1877. (From Schiaparelli’s _Memoria_.)] [Illustration: Map VI. Schiaparelli, 1879. (From Schiaparelli’s _Memoria_.)] [Illustration: Map VII. Schiaparelli, 1881. (From Schiaparelli’s _Memoria_.)] [Illustration: Map VIII. Schiaparelli, 1884. (From Schiaparelli’s _Memoria_.)] On comparing maps V, VI and VII an eye duly directed is struck by a difference in the aspect of the lines. In his first map the ‘canals’ are depicted simply as narrow winding streaks, hardly even roughly regular and by no means such departures from the plausible as to lie without the communicatory pale. Indeed, to a modern reader prepared beforehand for geometric construction they will probably appear no ‘canals’ at all. Certainly the price of acceptance was not a large one to pay. But like that of the Sibylline Books it increased with putting off. What he offered the public in 1879 was much more dearly to be bought. The lines were straighter, narrower, and in every way less natural than they had seemed two years before. In 1881-1882 they progressed still more in unaccountability. They had now become regular rule and compass lines, as straight, as even, and as precise as any draughtsman could wish and quite what astronomic faith did not desire. Having thus donned the character, they nevermore put it off.