Such is the experience every observer of them has had; and success
depends upon the acuteness of the observer’s eye and upon the
persistence with which he watches for the best moments in the steadiest
air. Certain as persistence is to be rewarded at last, the difficulty
inherent in the observations is ordinarily great. Not everybody can see
these delicate features at first sight, even when pointed out to them;
and to perceive their more minute details takes a trained as well as an
acute eye, observing under the best conditions. When so viewed,
however, the disk of the planet takes on a most singular appearance. It
looks as if it had been cobwebbed all over. Suggestive of a spider’s
web seen against the grass of a spring morning, a mesh of fine
reticulated lines overspreads it, which with attention proves to
compass the globe from one pole to the other. The chief difference
between it and a spider’s work is one of size, supplemented by greater
complexity, but both are joys of geometric beauty. For the lines are of
individually uniform width, of exceeding tenuity, and of great length.
These are the Martian canals.
Two stages in the recognition of the reality confront the persevering
plodder: first, the perception of the canals at all; and, second, the
realization of their very definite character. It is wholly due to lack
of suitable conditions that the true form of the Martian lines is
usually missed. Given the proper prerequisites of location or of eye,
and their pencil-mark peculiarity stands forth unmistakably confessed.
It is only where the seeing or the sight is at fault that the canals
either fail to show or appear as diffuse streaks, the latter being a
halfway revelation between the reality and their not being revealed at
all. Much misconception exists on this point. It has been supposed that
improved atmospheric conditions simply amount to bringing the object
nearer by permitting greater magnification without altering the hazy
look of its detail.[2] Not so. They do much more than this. They steady
the object much as if a page of print from being violently shaken
should suddenly be held still. The observer would at once read what
before had escaped him for being a blur. So is it with the canals. In
reality, pencilings of extreme tenuity, the agitations of our own air
spread them into diffuse streaks; an effect of which any one may assure
himself by sufficiently rapid motion of a drawing in which they are
depicted sharp and distinct, when he will see them take on the streaky
look. As the writer has observed them under both aspects, and has seen
them pass from the indefinite to the defined as the seeing improved, he
has had practical proof of the fact, and this not once, but an untold
number of times.
Public-domain text, read in full here on John Shaqi.
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