Professor Todd, Director of the Astronomical Observatory at Amherst
College, in his book on Stars and Telescopes, in referring to drawings
of a region in the southern portion of Mars, known as the Solis Lacus,
and a complicated drawing of another region, says: "Whether one views
this marvellous and intricate system as a whole, or in some portion of
high detail, it is difficult to escape the conviction that the _canali_
have, at least in part, been designed and executed with a definite end
in view."
There are many who do not deny the existence of some forms of life on
the planet, but are not prepared to admit the existence of intelligent
creatures. Sir Robert Ball expresses himself as follows: "That there
may be types of life of some kind on Mars is, I should think, quite
likely."
The number of astronomers above quoted, who have seen and drawn the
canals, might be augmented, but a sufficient number have been cited to
show that the evidence of the presence of these markings does not rest
with a few, furthermore, some of these observers can only interpret
the markings as the result of intelligent action. It may be urged that
among those quoted are some whose opinion may not have great weight
since they are not professional astronomers. One must insist that the
study of planetary markings as well as the interpretation of their
meanings comes not only within the province of planetary astronomers,
but that any broad-minded man, with an acute eye and familiar with the
sciences connected with the surface features of the Earth, is quite
competent to make observations of his own and to judge of the merits of
the question.
VI
THE STUDY OF PLANETARY MARKINGS
_Their singular aspect, and the fact that they are drawn
with absolute geometric precision as if they were the
product of rule and compass, have induced some people to
see in them the work of intelligent beings, inhabitants
of the planet. I should be careful not to combat this
supposition which involves no impossibility._
SCHIAPARELLI.
Public-domain text, read in full here on John Shaqi.
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