It was then that I began to nurse some ambitions of my own. I was going to
be a great man of letters. I was going to write histories and dramas and
romances and poetry. But as I had set up for myself I felt in honor bound
meanwhile to earn my own living.
III
I take it that the early steps of every man to get a footing may be of
interest when fairly told. I sought work in New York with indifferent
success. Mr. Raymond of the Times, hearing me play the piano at which from
childhood I had received careful instruction, gave me a job as "musical
critic" during the absence of Mr. Seymour, the regular critic. I must have
done my work acceptably, since I was not fired. It included a report of the
debut of my boy-and-girl companion, Adelina Patti, when she made her first
appearance in opera at the Academy of Music. But, as the saying is, I did
not "catch on." There might be a more promising opening in Washington, and
thither I repaired.
The Daily States had been established there by John P. Heiss, who with
Thomas Ritchie had years before established the Washington Union. Roger A.
Pryor was its nominal editor. But he soon took himself home to his beloved
Virginia and came to Congress, and the editorial writing on the States was
being done by Col. A. Dudley Mann, later along Confederate commissioner to
France, preceding Mr. Slidell.
Colonel Mann wished to work incognito. I was taken on as a kind of
go-between and, as I may say, figurehead, on the strength of being my
father's son and a very self-confident young gentleman, and began to get my
newspaper education in point of fact as a kind of fetch-and-carry for
Major Heiss. He was a practical newspaper man who had started the Union at
Nashville as well as the Union at Washington and the Crescent--maybe it was
the Delta--at New Orleans; and for the rudiments of newspaper work I could
scarcely have had a better teacher.
Back of Colonel Mann as a leader writer on the States was a remarkable
woman. She was Mrs. Jane Casneau, the wife of Gen. George Casneau, of
Texas, who had a claim before Congress. Though she was unknown to fame,
Thomas A. Benton used to say that she had more to do with making and ending
the Mexican War than anybody else.
Somewhere in the early thirties she had gone with her newly wedded husband,
an adventurous Yankee by the name of Storm, to the Rio Grande and started
a settlement they called Eagle Pass. Storm died, the Texas outbreak began,
and the young widow was driven back to San Antonio, where she met and
married Casneau, one of Houston's lieutenants, like herself a New Yorker.
She was sent by Polk with Pillow and Trist to the City of Mexico and
actually wrote the final treaty. It was she who dubbed William Walker
"the little gray-eyed man of destiny," and put the nickname "Old Fuss and
Feathers" on General Scott, whom she heartily disliked.
Public-domain text, read in full here on John Shaqi.
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