Some there were, too, who denied that she was beautiful, or even very good-looking. There is an old daguerreotype of her as she was in those days—or rather as she seemed to be to the unskilled sunbeams of the sixties—which gives these censorious people the lie direct. It is true that her hair is confined in a net at the sides and drawn stiffly across her temples from the parting. The full throat rises sheer from a flat horizon of striped dress goods, and is offered no relief whatever by the wide falling-away collar of coarse lace. And oh! the strangeness of that frock! The shoulder seams are to be looked for half-way down the upper arm, the sleeves swell themselves out into shapeless bags, the waist front might be the cover of a chair, of a guitar, of the documents in a corporation suit—of anything under the sun rather than the form of a charming girl. Yet, when you look at this thin old picture, all the same, you feel that you understand how it was that Julia Parmalee took the shine out of all the other girls in Octavius. This is the likeness of her which always seemed to me the best, but Marsena Pulford made a great many others as well. When you reflect, indeed, that his output of portraits of Julia Parmalee was limited in time to the two months of April and May, their number suggests that he could hardly have done anything else the while. The first of this large series of pictures was the one which Marsena liked least. It is true that Julia looked well in it, standing erect, with a proud, fine backward tilt to her dark face and a delicately formed white hand resting gracefully on the back of a chair. But it happened that in that chair was seated Lieut. Dwight Ransom, all spick and span in his new uniform, with his big gauntlets and sword hilt brought prominently forward, and with a kind of fatuous smile on his ruddy face, as if he felt the presence of those fair fingers on the chair-back, so teasingly close to his shoulder-strap. Marsena, in truth, had a strong impulse to run a destroying thumbnail over the seated figure on this plate, when the action of the developer began to reveal its outlines under the faint yellow light in the dark-room. Of all the myriad pictures he had washed and drained and nursed in their wet growth over this tank, no other had ever stirred up in his breast such a swift and sharp hostility. He lavished the deadly cyanide upon that portion of the plate, too, with grim unction, and noted the results with a scornful curl on his lip. Like his partner downstairs, he was wondering what on earth possessed Miss Parmalee to take up with a Dwight Ransom. The frown was still on his brow when he opened the dark-room door. Then he started back, flushed red, and labored at an embarrassed smile. Miss Parmalee had left her place, and stood right in front of him, so near that he almost ran against her. She beamed confidently and reassuringly upon him.