Marsena, and Other Stories of the Wartime — John Shaqi
Marsena, and Other Stories of the WartimeFrederic, Harold
History
Marsena, and Other Stories of the Wartime
Frederic, Harold
United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
There was a moment's deadly hush, while we gazed at this unlooked-for
apparition. It seemed, upon examination, as if there was a certain
irony in the Lieutenant's grin. Someone in the darkness emitted an
abrupt snort of amusement, and a general titter arose, hung in the air
for an awkward instant, and then was drowned by a generous burst of
applause. While the people were still clapping their hands the picture
was withdrawn from the screen, and we heard Newton Shull call down from
his perch in the gallery:
"You kin turn up the lights now. They ain't no more to this."
In another minute we were sitting once again in the broad glare of
the gaslight, blinking confusedly at one another, and with a dazed
consciousness that something rather embarrassing had happened. The
boldest of us began to steal glances across to where Miss Parmalee and
Marsena sat, just in front of the steps to the bench.
What Miss Julia felt was beyond guessing, but there she was, at any
rate, bending over and talking vivaciously, all smiles and collected
nerves, to a lady two seats removed. But Marsena displayed no such
presence of mind. He sat bolt upright, with an extraordinarily white
face and a drooping jaw, staring fixedly at the empty canvas on the
wall before him. Such absolute astonishment was never depicted on human
visage before.
Perhaps from native inability to mind his own business, perhaps with a
kindly view of saving an anxious situation, the Baptist minister rose
now to his feet, coughed loudly to secure attention, and began some
florid remarks about the success of the fair, the especial beauty of
the lantern exhibition they had just witnessed, and the felicitous
way in which it had terminated with a portrait of the beautiful and
distinguished young lady to whose genius and unwearying efforts they
were all so deeply indebted. In these times of national travail and
distress, he said, there was a peculiar satisfaction in seeing her
portrait accompanied by that of one of the courageous and noble young
men who had sprung to the defence of their country. The poet had
averred, he continued, that none but the brave deserved the fair, and
so on, and so on.
Miss Julia listened to it all with her head on one side and a modestly
deprecatory half-smile on her face. At its finish she rose, turned to
face everybody, made a pert, laughing little bow, and sat down again,
apparently all happiness. But it was noted that Marsena did not take
his pained and fascinated gaze from that mocking white screen on the
wall straight in front.
Public-domain text, read in full here on John Shaqi.
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