Marsena, and Other Stories of the WartimeFrederic, Harold
History
Marsena, and Other Stories of the Wartime
Frederic, Harold
United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
As at last, in the deepening twilight, the people reluctantly began
moving toward home, such conversation as they had the heart for
seemed to be exclusively centred upon Miss Parmalee, and this queer
despatch of hers. Slow-paced, strolling groups wended their way along
the main street, and then up this side thoroughfare and that, passing
in every block some dark and close-shuttered house of mourning, and
instinctively sinking still lower their muffled tones as they passed,
and carrying in their breasts, heaven only knows what torturing loads
of anguish and stricken despair—but finding a certain relief in
dwelling, instead, upon this lighter topic.
One of these groups—an elderly lady in black attire and two younger
women of sober mien—walked apart from the others and exchanged no
words at all until, turning a corner, their way led them past the
Parmalee house. The looming bulk of the old mansion and the fragrant
spaciousness of the garden about it seemed to attract the attention of
Mrs. Ransom and her daughters. They halted as by a common impulse, and
fastened a hostile gaze upon the shadowy outlines of the house and its
surrounding foliage.
"If Dwight dies of his wound," the mother said, in a voice all chilled
to calmness, "his murderess will live in there."
"I always hated her!" said one of the daughters, with a shudder.
"But he isn't going to die, mamma," put in the other. "You mustn't
think of such a thing! You know how healthy he always has been, and
this is only his shoulder. For my part, we may think ourselves very
fortunate. Remember how many have been killed or mortally wounded. It
seems as if half the people we know are in mourning. We get off very
lightly with Dwight only wounded. Did you happen to hear the details
about Mr. Pulford?—you know, the photographer—someone was saying that
he was mortally wounded."
"She sent him to his death, then, too," said the elder Miss Ransom,
raising her clenched hand against the black shadow of the house.
"I don't care about that man," broke in the mother, icily. "Nobody
knows anything of him, or where he came from. People ran after him
because he was good-looking, but he never seemed to me to know enough
to come in when it rained. If she made a fool of him, it was his own
lookout. But Dwight—my Dwight——!"
The mother's mannered voice broke into a gasp, and she bent her head
helplessly. The daughters went to her side, and the group passed on
into the darkness.
VI.
Public-domain text, read in full here on John Shaqi.
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