Great Britain -- History -- Richard III, 1483-1485 -- Fiction; Historical fiction; Monks -- Fiction; Romance fiction
Martin Valliant felt himself uplifted all that day; but the old Pagan
people had gathered out of the woods and were lying hidden in the gorse
and heather. There was Pan with his pipes; there were girls and young
men who had danced in the Bacchic dances; Orpheus with his lute. Even
the pale Christ looked down with compassionate eyes, the Great Lover who
was human till the fanatics covered His face with a veil of lies.
Evening came, and the birds began their singing down in the beech woods
under the hill. They sang their way into Martin Valliant’s heart, made
him hear again the voice of the girl singing on the moor. A great
restlessness assailed him. He went forth and wandered under the stars,
but there was no healing for him in their cold brightness. And that
night he slept like a man in fear of the dawn.
Again, it was the birds which troubled him. He woke in the gray of the
morning, to hear their faint orisons filling the valley. He arose, went
to the chapel, and was long at his prayers. Moreover, he chose to fast
that morning, contenting himself with a cup of cold water before he
wandered out over the moor.
Yet in spite of all his carefulness Martin Valliant was not wholly his
own master that morning. He made himself go forward, but a part of his
soul kept looking back. There was a voice, too, that challenged him. “Of
what are you afraid? Why are you trying to escape? A monk is a soldier.
He should fight, and not hide himself.”
This voice would not be silenced. It was like a scourge striking him
continually.
“Go back,” it said; “blind men are afraid of falling.”
At last he obeyed it, vaguely conscious of the nearness of some new
ordeal. He did not guess that the all-wise Mater Mundi had him by the
hand, that he was one of her chosen children. She would try him with
fire, teach him to be great through the power of his own compassion, so
that his soul might burn more gloriously when the purer flame touched
it.
Martin Valliant found the door of his cell standing open, and from
within came the sound of the snapping of dry wood. A girl was kneeling
by the oven, with a fagot lying on the floor at her side, and she was
busy laying the fire for the baking of bread. She was dressed in a gown
of apple green, and from the collar thereof her firm white neck curved
to meet the bronze of her hair. So intent was she on breaking up the
fagot wood and building her fire that she had not discovered the man
standing in the doorway.
Life had never yet posed Martin with such a problem as this. He stood
and stared at the girl, wondering how to begin the attack. Her back was
turned toward him, and the initiative was his.
Then he became inspired. He would assume blindness, deafness, refuse to
recognize her existence. He would not so much as speak to her, and
behold! the problem would solve itself.
Public-domain text, read in full here on John Shaqi.
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