American fiction -- 19th century; California -- Fiction; Western stories
Meanwhile the light quickened, and gradually disclosed the form and
outline of the adjacent domain. An avenue cut through a park-like
wood, carefully cleared of the undergrowth of gigantic ferns peculiar
to the locality, led to the entrance of the canada. Here began a vast
terrace of lawn, broken up by enormous bouquets of flower-beds
bewildering in color and profusion, from which again rose the flowering
vines and trailing shrubs that hid pillars, veranda, and even the long
facade of a great and dominant mansion. But the delicacy of floral
outlines running to the capitals of columns and at times mounting to
the pediment of the roof, the opulence of flashing color or the massing
of tropical foliage, could not deprive it of the imperious dignity of
size and space. Much of this was due to the fact that the original
casa--an adobe house of no mean pretensions, dating back to the early
Spanish occupation--had been kept intact, sheathed in a shell of
dark-red wood, and still retaining its patio; or inner court-yard,
surrounded by low galleries, while additions, greater in extent than
the main building, had been erected--not as wings and projections, but
massed upon it on either side, changing its rigid square outlines to a
vague parallelogram. While the patio retained the Spanish conception
of al fresco seclusion, a vast colonnade of veranda on the southern
side was a concession to American taste, and its breadth gave that
depth of shadow to the inner rooms which had been lost in the thinner
shell of the new erection. Its cloistered gloom was lightened by the
red fires of cardinal flowers dropping from the roof, by the yellow
sunshine of the jessamine creeping up the columns, by billows of
heliotropes breaking over its base as a purple sea. Nowhere else did
the opulence of this climate of blossoms show itself as vividly. Even
the Castilian roses, that grew as vines along the east front, the
fuchsias, that attained the dignity of trees, in the patio, or the four
or five monster passion-vines that bestarred the low western wall, and
told over and over again their mystic story--paled before the sensuous
glory of the south veranda.
As the sun arose, that part of the quiet house first touched by its
light seemed to waken. A few lounging peons and servants made their
appearance at the entrance of the patio, occasionally reinforced by an
earlier life from the gardens and stables. But the south facade of the
building had not apparently gone to bed at all: lights were still
burning dimly in the large ball-room; a tray with glasses stood upon
the veranda near one of the open French windows, and further on, a
half-shut yellow fan lay like a fallen leaf. The sound of
carriage-wheels on the gravel terrace brought with it voices and
laughter and the swiftly passing vision of a char-a-bancs filled with
muffled figures bending low to avoid the direct advances of the sun.
Public-domain text, read in full here on John Shaqi.
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