American fiction -- 19th century; California -- Fiction; Western stories
There may have been some excuse for their curiosity. As before hinted,
Guest's appearance in his overalls and woolen shirt was somewhat
incongruous, and, for some inexplicable reason, the same face and
figure which did not look inconsistent in rags and extreme poverty now
at once suggested a higher social rank both of intellect and refinement
than his workman's dress indicated. This, added to his surliness of
manner and expression, strengthened a growing suspicion in the mind of
the party that he was a fugitive from justice--a forger, a derelict
banker, or possibly a murderer. It is only fair to say that the moral
sense of the spectators was not shocked at the suspicion, and that a
more active sympathy was only withheld by his reticence. An
unfortunate incident seemed to complete the evidence against him. In
impatiently responding to the landlord's curt demand for prepayment of
his supper, he allowed three or four pieces of gold to escape from his
pocket on the veranda. In the quick glances of the party, as he
stooped to pick them up, he read the danger of his carelessness.
His sullen self-possession did not seem to be shaken. Calling to the
keeper of the tienda, who had appeared at his door in time to witness
the Danae-like shower, he bade him approach, in English.
"What sort of knives have you got?"
"Knives, Senor?"
"Yes; bowie-knives or dirks. Knives like that," he said, making an
imaginary downward stroke at the table before him.
The shopkeeper entered the tienda, and presently reappeared with three
or four dirks in red leather sheaths. Guest selected the heaviest, and
tried its point on the table.
"How much?"
"Tres pesos."
The young man threw him one of his gold pieces, and slipped the knife
and its sheath in his boot. When he had received his change from the
shopkeeper, he folded his arms and leaned back against the wall in
quiet indifference.
The simple act seemed to check aggressive, but not insinuating,
interference. In a few moments one of the men appeared at the doorway.
"It is fine weather for the road, little comrade!"
Guest did not reply.
"Ah! the night, it ess splendid," he repeated, in broken English,
rubbing his hands, as if washing in the air.
Still no reply.
"You shall come from Sank Hosay?"
"I sha'ant."
The stranger muttered something in Spanish, but the landlord, who
reappeared to place Guest's supper on a table on the veranda, here felt
the obligation of interfering to protect a customer apparently so
aggressive and so opulent. He pushed the inquisitor aside, with a few
hasty words, and, after Guest had finished his meal, offered to show
him his room. It was a dark vaulted closet on the ground-floor,
gaining light from the stable-yard through a barred iron grating. At
the first glimpse it looked like a prison cell; looking more
deliberately at the black tresseled bed, and the votive images hanging
on the wall, it might have been a tomb.
Public-domain text, read in full here on John Shaqi.
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