American fiction -- 19th century; California -- Fiction; Western stories
"So!" said Pereo, looking after him with abstracted eyes, "so! it was
only a fancy. And yet--even now, as he turned away, I saw the same
cold insolence in his eye. Caramba! Am I mad--mad--that I must keep
forever before my eyes, night and day, the image of that dog in every
outcast, every ruffian, every wayside bully that I meet? No, no, good
Pereo! Softly! this is mere madness, good Pereo," he murmured to
himself; "thou wilt have none of it; none, good Pereo. Come, come!"
He let his head fall slowly forward on his breast, and in that action,
seeming to take up again the burden of a score more years upon his
shoulders, he moved slowly away.
When he entered the fonda half an hour later, the awe in which he was
held by the half superstitious ruffians appeared to have increased.
Whatever story the fugitive Miguel had told his companions regarding
Pereo's protection of the young stranger, it was certain that it had
its full effect. Obsequious to the last degree, the landlord was so
profoundly touched, when Pereo, not displeased with this evidence of
his power over his countrymen, condescendingly offered to click glasses
with him, that he endeavored to placate him still further.
"It is a pity your worship was not here earlier," he began, with a
significant glance at the others, "to have seen a gallant young
stranger that was here. A spice of wickedness about him, truly--a kind
of Don Caesar--but bearing himself like a very caballero always. It
would have pleased your worship, who likes not those canting Puritans
such as our neighbor yonder."
"Ah," said Pereo, reflectively, warming under the potent fires of
flattery and aguardiente, "possibly I HAVE seen him. He was like--"
"Like none of the dogs thou hast seen about San Antonio," interrupted
the landlord. "Scarcely did he seem Americano, though he spoke no
Spanish."
The old man chuckled to himself viciously. "And thou, thou old fool,
Pereo, must needs see a likeness to thine enemy in this poor runaway
child--this fugitive Don Juan! He! he!" Nevertheless, he still felt a
vague terror of the condition of mind which had produced this fancy,
and drank so deeply to dispel his nervousness that it was with
difficulty he could mount his horse again. The exaltation of liquor,
however, appeared only to intensify his characteristics: his face
became more lugubrious and melancholy; his manner more ceremonious and
dignified; and, erect and stiff in his saddle from the waist upwards,
but leaning from side to side with the motion of his horse, like the
tall mast of some laboring sloop, he "loped" away towards the House of
the Lost Mission. Once or twice he broke into sentimental song.
Strangely enough, his ditty was a popular Spanish refrain of some
matador's aristocratic inamorata:--
Do you see my black eyes?
I am Manuel's Duchess,--
Public-domain text, read in full here on John Shaqi.
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