May, the first of summer months, and of old famous for floral games,
which found their latest patrons in the chimney-sweeps of London, is a
good time for the microscopist among the ponds, for the increase of
warmth and heat favours both animal and vegetable life, and so we found
as we carried home some tops of myriophyllum, and soon discovered a
colony of tubicolor rotifers among the tiny branches. They proved to be
Floscules, generally resembling the _F. ornata_, described in a previous
page, but having a long slender proboscis hanging like a loose ringlet
down one side. The cilia or hairs were not so long as in the Beautiful
Floscules we had before obtained, nor was their manner of opening so
elegant; but they were, nevertheless, objects of great interest, and
were probably specimens of the _Floscularia cornuta_. A swimming rotifer
in a carapace somewhat fiddle-shaped, with one eye in its forehead, and
a two-pronged tail sticking out behind (the _Euchlanis triquetra_), also
served to occupy attention; but a further search among the myriophyllum
revealed more treasures of the tube-dwelling kind. These were specimens
of that highly curious Rotifer, the _Melicerta ringens_, who, not
content with dwelling, like the Floscules, in a gelatinous bottle, is at
once brickmaker, mason, and architect, and fabricates as pretty a tower
as it is easy to conceive. The creature itself stands upon a retractile
foot-stalk, and thrusts out above its battlements a large head, with
four leaf-like expansions surrounded by cilia. Between the lower lobes,
or leaves, the gizzard is seen grinding away, and above it is an organ,
not always displayed, and of which Mr. Gosse was fortunate enough to
discover the use. This eminent naturalist likens it to the circular
ventilator sometimes inserted in windows, and he found it was the
machine for making the yellow ornamental bricks of which the tower is
composed. Pellet by pellet, or brick by brick, does the Melicerta build
her house, which widens gradually from the foundation to the summit, and
every layer is placed with admirable regularity.
Public-domain text, read in full here on John Shaqi.
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