In some processes it is desired to deposit metal upon a non-conducting surface, and it is evident that such cannot be used as an electrode. Nor is it any use to attempt to deposit upon anything except an electrode. The only thing to do, then, is to make the object a conductor by some means. Models in clay, wax and plaster, once-living objects like small animals, fruit, flowers or insects, can, however, have a perfect replica made of them by electrical deposition, by the simple method of coating the surface to be plated with a thin layer of plumbago. This skin, although extremely thin, is a sufficiently good conductor to make the process possible. Process blocks for printing are copied in this way, so that a particularly delicate example of the blockmaker's art need not be worn down by much pressing, copies or "electros" being made off it for actual use in the press. The original block is a plate of copper on which the picture is represented by minute depressions and prominences. On this a layer of soft wax is pressed, so as to obtain a perfect but reversed copy. Having been coated with plumbago, this is then put into a vat containing a solution of copper salts and is used as the out-electrode, the other being a plate of copper. When the current is turned on the copper is thus deposited on the wax until a thin sheet of copper is formed which is an exact but reversed copy of the wax, a direct copy, that is, of the original block. The back of this thin sheet is then covered with molten lead or type metal to fill up any depressions and to give it sufficient strength. Anyone who has seen one of these "half-tone" blocks covered with minute depressions so slight that they can scarcely be seen, yet so perfect that a beautiful print can be obtained from them, will realise the wonderful power of this electrolytic process, the marvellous accuracy with which the original is copied, and the unerring way in which the electric current carries the particles of copper into every one of the myriad recesses in the wax.