"Queen Mab;" and Beckford's "Vathek" was the production of a youth of
barely twenty.
In the year 1876, Mary Anderson received an offer from a distinguished
theatrical manager, John T. Ford, of Washington and Baltimore, to join his
company as a star, but at an ordinary salary. Three hundred dollars a
week, even in those early days, was small pay for the rising young
actress, who was already without a rival in her own line on the American
stage; but the extended tour through the States which the engagement
offered, the security of a good company, and of able management, led to an
immediate acceptance. On this as on every other occasion, through her
theatrical career, Mary Anderson was accompanied by her father and mother,
who have ever watched over her welfare with the tenderest solicitude. All
the arrangements for the trip were _en prince_. Indeed we have small idea
in our little sea-girt isle, of the luxury and even splendor with which
American stars travel over the vast distances between one city and another
on the immense Western continent. The City of Worcester, a new Pullman
car, subsequently used by Sarah Bernhardt, and afterward by Edwin Booth,
was chartered for the party, consisting of Mary Anderson, her father,
mother, and brother, and the young actress' maid and secretary. A cook and
three colored porters constituted the _personnel_ of the establishment.
There was a completely equipped kitchen, a dining-room with commodious
family table; a tiny drawing-room with its piano, portraits of favorite
artists, and some choicely-filled bookshelves, as well as capital sleeping
quarters. It was literally a splendid home upon wheels. Where the hotels
happened to be inferior at any particular town, the party occupied it
through the period of the engagement. Visitors were received, friendly
parties arranged, and little of the inconvenience and discomfort of travel
experienced. It was thus that Mary Anderson made her first great
theatrical tour through the States. In spite of now and then a cold, or
even hostile press, her progress was very like a triumph. In many places
she created an absolute _furore_, hundreds being turned away at the
theater doors. Indeed, it was no uncommon occurrence for an ordinary seat
whose advertised price was seventy-five cents to sell at as high a premium
as twenty-five dollars. The management reaped a rich harvest, and Mary
Anderson played on this Southern trip to more money than any previous
actor, excepting only Edwin Forrest. There was still one drop of bitter in
this cup of sweetness and success. The company, jealous of the prominence
given to one whom they regarded as a mere untried girl, proceeded to add
what they could to her difficulties by "boycotting" her. There were two
exceptions among the gentlemen actors; and we are pleased to be able to
record that one of these was an Englishman. The ladies were unanimous in
proclaiming a war to the knife!
Public-domain text, read in full here on John Shaqi.
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