new suit of clothes, in which he came to bid us good-bye. The word was
not invented in those days, but there is no doubt about it, Dick was a
regular “swell.”
Another member of the community caused much amusement to my father, who
on one occasion went into his garden and found a convict at work after
the hour that the warder and the other prisoners had left off for the
day.
[Sidenote: “OH! I AM FOR BIGAMY”]
“What are you here for?” was the question asked in tones of surprise.
The man jumped up hastily from his kneeling position, and pulling his
forelock, answered in the most cheerful and unconcerned tones: “Oh! I am
for bigamy, Commissioner.”
Another convict was a skilful tailor, and was permitted the privilege of
making costumes for our dramatic company on the occasion of our first
play—a subject of great importance, of which I shall treat hereafter.
But while writing of our friends and retainers, I should be ungrateful
to omit the mention of a warder endowed with the unusual name of Orper.
This man had in our childish eyes attained the very summit of high art,
and if in those early times we had ever heard of Michel Angelo, we
should have placed Orper on a level with that great man. It must be
confessed his genius was not as versatile, neither did he even attempt
the modelling of the human form divine; but then his birds! It must also
be allowed that his young patrons displayed much discrimination in
classing and naming the peculiar ornithological representations which he
carved in wood for our delight. These works of art were more especially
objects of our admiration and desire, when slightly coloured or tinted.
In this respect Orper had an illustrious follower in the celebrated John
Gibson, although we are fain to believe that that eminent sculptor had
never heard of his predecessor.
I have now come to a portion of my narrative which entails delicate
handling, but I have promised that these pages shall contain
confessions, and I will therefore lose no time in owning frankly that I
was ever a flirt, and will candidly enter on the subject of my juvenile
flirtations.
Public-domain text, read in full here on John Shaqi.
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