Of how many years of entertainment and genial amusement to me was that
night the forerunner. I can also remember one of the first performances
of the _Freischütz_, or, as it was then popularly called, the _Der
Freischütz_, in London. Likewise some kind of musical burlesque, in
which Madame Vestris sang all the favourite airs of that charming opera,
showing how the nurse lulled her bantling to sleep, how the footman
blacked the shoes, and how the housemaid trundled the mop, to the soft
strains of the various choruses of Weber’s beautiful masterpiece. In
those far-off days there was no elaborately-painted drop to give a
cheerful termination to the end of the entertainment, but a gloomy,
dark-green baize curtain, with which my spirits fell at the same moment,
betokening a termination to that night’s joy; and who could tell when
the delight-giving cousin would be again propitious. I amused my friend
Mr Irving[10] by telling him one day that I had been brought up in the
stage-box at his theatre, which was then the property of our cousin,
Lord Exeter. Yes, it was there I first saw dear Charles Young in _The
Stranger_, and cried so bitterly that my red and swollen eyes prevented
my appearing at the ball to which I had been looking forward for weeks;
it was then that I made acquaintance with Power, one of the best
Irishmen that ever trod or tripped the stage. I say this, not excepting
the inimitable Boucicault himself, or my true friend and fellow-actor,
Charles Lever. But I must pull up, or my dramatic hobby will take the
bit in his mouth, and convert every theatre into Astley’s. Adorable
Astley’s!—what a treat you were to me, and how I loved Mazeppa and his
horse, the friends of so many years, who continued to urge on his wild
career far beyond the allotted span of an equine life; how often have I
watched the dear old beast swimming across the mighty rushing river
after the tempting bin of corn, visible to my eyes from a side-box.
Footnote 10:
Now Sir Henry Irving.
I am perhaps a little more fastidious now, but the dramatic passion
exists in all its fervour, and will till the curtain drops and the
lights are extinguished.
But to turn once more to real life. The neighbourhood of Somerset House
had other advantages beside those of the theatres, for the Royal Academy
still existed under its roof, and almost every Monday morning during the
Exhibition, we young ones used to go with our governess to pay the
pictures a visit immediately on the opening of the doors, when the rooms
were empty, swept and garnished, before the crowd and its accompanying
dust had arrived. Then there was a walk with father in the early morning
to Covent Garden, when the alleys were all watered, the flowers all
fresh and fragrant, and the market uncrowded.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account