Mary Broome: A Comedy, in Four ActsMonkhouse, Allan
General
Mary Broome: A Comedy, in Four Acts
Monkhouse, Allan
Adultery -- Drama; England -- Drama; Man-woman relationships -- Drama; Marriage -- Drama; Social classes -- Drama
MARY BROOME: A COMEDY, IN
FOUR ACTS, BY ALLAN MONKHOUSE
BOSTON: JOHN W. LUCE & COMPANY
LONDON: SIDGWICK & JACKSON, LTD.
3 ADAM STREET, ADELPHI MCMXIII
_First Impression, June,_ 1912
_Second Impression, January,_ 1913
_Entered at the Library of Congress, Washington, U.S.A._
_All rights reserved_
"Mary Broome" was first produced by Miss Horniman's Company at the
Gaiety Theatre, Manchester, on October 9th, 1911, with the following
cast:--
SHEILA RAY Edyth Goodall
ADA TIMBRELL Hilda Bruce Potter
EDGAR TIMBRELL Herbert Lomas
MARY BROOME Irene Rooke
LEONARD TIMBRELL Milton Rosmer
MRS. TIMBRELL Ada King
EDWARD TIMBRELL Charles Bibby
MAID Doris Bateman
MR. PENDLETON Cecil Brooking
MRS. PENDLETON Louise Holbrook
MRS. GREAVES Hilda Davies
JOHN BROOME Edward Landor
MRS. BROOME Muriel Pratt
The Play produced by STANLEY DREWITT
CHARACTERS
EDWARD TIMBRELL
MRS. TIMBRELL
EDGAR TIMBRELL
LEONARD TIMBRELL
ADA TIMBRELL
SHEILA RAY (_afterwards Mrs. Edgar Timbrell_)
MARY BROOME (_afterwards Mrs. Leonard Timbrell_)
JOHN BROOME
MRS. BROOME
MR. PENDLETON
MRS. PENDLETON
MRS. GREAVES
A MAID
ACT I.
[_The Drawing-room in a biggish suburban villa--The furniture, &c.,
are in middling taste. EDGAR TIMBRELL, an ordinary young man of nearly
thirty in neat tweeds is sprawling self-consciously on the sofa. ADA
and SHEILA are opening a parcel. They are the ordinary middle-class
young women who might develop in all manner of unexpected ways and
usually do not._]
SHEILA. Come and look, Edgar.
ADA. He's only pretending not to care.
SHEILA. Lend me your knife. [_She takes it from him and cuts the
string._] I brought this over without opening it just to let you see
it too.
EDGAR. For Heaven's sake remember who sent them all.
SHEILA. It's all right. Ada's keeping a list.
EDGAR. Well, get all the fun out of it you can. You won't often have
the chance of being married.
SHEILA. [_Opening the parcel._] Oh! how nice! What do you mean, Edgar?
I've had lots of chances.
EDGAR. You can't go on having them now, though.
ADA. Let me see, Sheila.
SHEILA. No, that's why I want everything to be nice. Instead of all
those chances I want one delightful reality. A sweet little tea caddy;
that's two; the other was bigger. One delightful reality, Edgar.
You've got to see to that.
EDGAR. Oh! I'll make a jolly good husband.
SHEILA. I wasn't thinking of that. I was only thinking of the wedding.
One thing at a time. I want to have the prettiest wedding that ever
was. Something that I can look back to. No hitches and stupidities and
uglinesses.
ADA. Some people like Indian tea. You could have Indian tea in that
one.
[_Enter MARY BROOME, the housemaid. She is a comely young woman in the
housemaid's usual afternoon dress and with the housemaid's usual
self-possession._]
MARY. A parcel for you, sir.
EDGAR. Thank you. Will you put it down--anywhere.
ADA. Another present! No.
Public-domain text, read in full here on John Shaqi.
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