But Mary Christmas laughed at them as she adjusted her new hat, which immediately became unadjusted when she stooped to lift the handle of the pushcart. She must work winter and summer, she said; it cost a lot to keep a family of three in a real house. There was pride in her voice, however, when she told John, who pushed the cart up the hill for her, how Raphael was now standing on the street corners and selling papers in shrill calls like a real American boy, and how deftly and quickly the fingers of little Mary went in and out of the frames that held the laces. VIII SHOWERS OF GOLD AND PEARLS Thus it came about in Wescott history that those bright years of childhood when things were things and those troubled later years when the same things could not be bounded by their own neat selves became a kind of tapestry shot through and through with colored threads. Blue, purple, red, gold, and silver, they deepened and glowed--the colors of music and poetry, of magical words and ancient tales, of romance and high endeavor, of distant places and strange peoples, of sacrifice and holiness. Into the texture of their lives Mary Christmas had woven those threads in hues that were fadeless against time and circumstance. Not that the four Wescotts interpreted their love for Mary Christmas or their debt to her in terms of colored threads in tapestry. That was to come later. They only knew that for years she had added to their lives a vividness and a completeness which had not been there before she came. They knew, too, that she had entwined herself inextricably within the fabric of their existence because of her connection with certain occurrences, which, it is quite safe to say, seemed at the time of their happening of more tremendous import than all the quiet hours beneath the orchard trees.