Armenian Americans -- Juvenile fiction; Families -- Juvenile fiction; Maine -- Juvenile fiction; Peddlers -- Juvenile fiction
Those winding coast roads, which led around quiet coves where herons
stood in the clear, still water, past stretches of gray, wind-vexed
sea and over upland pastures fragrant with bayberry, mitigated in some
degree the tragedy in which Mary Christmas as the years went by had
found herself an unwilling actor. It was the old, bitter tragedy of
Age contending with Youth and going down before it--a tragedy older
than that of Lear or of Isaac and his sons, old as life itself, and
enhanced a thousandfold in its cruelty when enacted by immigrant
children who willingly crush beneath their feet all that their parents
have held sacred. Defeated at home, Mary Christmas took to the long
familiar roads, in the courses of which during those first years she
had lived over again so much of her life. Along that particularly
lonely stretch of woodland she had sung of Vartan; under that great
pine which afforded such a sweep of tossing blue water she had imagined
that she was looking upon the Mediterranean, her homesick eyes dim with
tears; in that clump of sumach, red in the September sunshine, she had
fallen asleep and dreamed that avenging blood was flowing in the far
city of Erzerum; in country lanes, in farmhouse kitchens, and beneath
blossoming apple trees she had told to wide-eyed children her tales of
saints and heroes, and of holy places.
These landmarks of the woods and coast villages lent a consistency and
coherence to her life as she grew older, which not even the complete
emancipation of Raphael and little Mary could entirely disturb.
Through her repeated visits to them and her eager reception of those
sacramental elements of which they were the symbols, she kept close
the past with all its beneficence. It was doubtless in an effort
to strengthen this coherence of which she felt such need that, the
year following Mary Wescott’s marriage and that of her own Mary, she
discarded her suit and hat and returned to the gold-laced bodice and
the red silk handkerchief. These she never again relinquished, in spite
of the pressure at home and the fast changing modes of those complacent
years.
Public-domain text, read in full here on John Shaqi.
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