Mary Gresley, and An Editor's TalesTrollope, Anthony
General
Mary Gresley, and An Editor's Tales
Trollope, Anthony
Great Britain -- Social life and customs -- 19th century -- Fiction
They repeated their visits to us not unfrequently during the twelve
months; but as the whole interest attaching to our intercourse had
reference to circumstances which took place in that editorial room of
ours, it will not be necessary to refer further to the hours, very
pleasant to ourselves, which she spent with us in our domestic life. She
was ever made welcome when she came, and was known by us as a dear,
well-bred, modest, clever little girl. The novel went on. That catalogue
of the skeletons gave us more trouble than all the rest, and many were
the tears which she shed over it, and sad were the misgivings by which
she was afflicted, though never vanquished! How was it to be expected
that a girl of eighteen should portray characters such as she had never
known? In her intercourse with the curate all the intellect had been on
her side. She had loved him because it was requisite to her to love some
one; and now, as she had loved him, she was as true as steel to him. But
there had been almost nothing for her to learn from him. The plan of the
novel went on, and as it did so we became more and more despondent as to
its success. And through it all we knew how contrary it was to our own
judgment to expect, even to dream of, anything but failure. Though we
went on working with her, finding it to be quite impossible to resist
her entreaties, we did tell her from day to day that, even presuming she
were entitled to hope for ultimate success, she must go through an
apprenticeship of ten years before she could reach it. Then she would
sit silent, repressing her tears, and searching for arguments with which
to support her cause.
“Working hard is apprenticeship,” she said to us once.
“Yes, Mary; but the work will be more useful, and the apprenticeship
more wholesome, if you will take them for what they are worth.”
“I shall be dead in ten years,” she said.
“If you thought so you would not intend to marry Mr. Donne. But even
were it certain that such would be your fate, how can that alter the
state of things? The world would know nothing of that; and if it did,
would the world buy your book out of pity?”
“I want no one to pity me,” she said; “but I want you to help me.” So we
went on helping her. At the end of four months she had not put pen to
paper on the absolute body of her projected novel; and yet she had
worked daily at it, arranging its future construction.
Public-domain text, read in full here on John Shaqi.
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