We had trailed our way into the bath-room, and had slowly walked to one of those arm-chairs in which it is our custom on such occasions to seat ourselves and to await sudation. There are marble couches; and if a man be able to lie on stone for half an hour without a movement beyond that of clapping his hands, or a sound beyond a hollow-voiced demand for water, the effect is not bad. But he loses everything if he tosses himself uneasily on his hard couch, and we acknowledge that our own elbows are always in the way of our own comfort, and that our bones become sore. We think that the marble sofas must be intended for the younger Turks. If a man can stretch himself on stone without suffering for the best part of an hour,--or, more bravely perhaps, without appearing to suffer, let him remember that all is not done even then. Very much will depend on the manner in which he claps his hands, and the hollowness of the voice in which he calls for water. There should, we think, be two blows of the palms. One is very weak and proclaims its own futility. Even to dull London ears it seems at once to want the eastern tone. We have heard three given effectively, but we think that it requires much practice; and even when it is perfect, the result is that of western impatience rather than of eastern gravity. No word should be pronounced, beyond that one word,--Water. The effect should be as though the whole mind were so devoted to the sudorific process as to admit of no extraneous idea. There should seem to be almost an agony in the effort,--as though the man enduring it, conscious that with success he would come forth a god, was aware that being as yet but mortal he may perish in the attempt. Two claps of the hand and a call for water, and that repeated with an interval of ten minutes, are all the external signs of life that the young Turkish bather may allow to himself while he is stretched upon his marble couch.