Christian fiction; Scotland -- Fiction; Young women -- Fiction
Produced by Charles Aldarondo, Charles Franks, Juliet
Sutherland and the DP Team
MARY MARSTON
A NOVEL.
BY
GEORGE MACDONALD
AUTHOR OF "ANNALS OF A QUIET NEIGHBORHOOD," "ROBERT FALCONER," ETC.,
ETC.
CONTENTS.
I.--THE SHOP
II.--CUSTOMERS
III.--THE ARBOR AT THORNWICK
IV.--GODFREY WARDOUR
V.--GODFREY AND LETTY
VI.--TOM HELMER
VII.--DURNMELLING
VIII.--THE OAK
IX.--CONFUSION
X.--THE HEATH AND THE HUT
XI.--WILLIAM MARSTON
XII.--MARY'S DREAM
XIII.--THE HUMAN SACRIFICE
XIV.--UNGENEROUS BENEVOLENCE
XV.--THE MOONLIGHT
XVI.--THE MORNING
XVII.--THE RESULT
XVIII.--MARY AND GODFREY
XIX.--MARY IN THE SHOP
XX.--THE WEDDING-DRESS
XXI.--MR. REDMAIN
XXII.--MRS. REDMAIN
XXIII.--THE MENIAL
XXIV.--MRS. REDMAIN'S DRAWING-ROOM
XXV.--MARY'S RECEPTION
XXVI.--HER POSITION
XXVII.--MR. AND MRS. HELMER
XXVIII.--MARY AND LETTY
XXIX.--THE EVENING STAR
XXX.--A SCOLDING
XXXI.--SEPIA
XXXII.--HONOR
XXXIII.--TUB INVITATION
XXXIV.--A STRAY SOUND
XXXV.--THE MUSICIAN
XXXVI.--A CHANGE
XXXVII.--LYDGATE STREET
XXXVIII.--GODFREY AND LETTY
XXXIX.--RELIEF
XL.--GODFREY AND SEPIA
XLI.--THE HELPER
XLII.--THE LEPER
XLIII.--MARY AND MR. REDMAIN
XLIV.--JOSEPH JASPER
XLV.--THE SAPPHIRE
XLVI.--REPARATION
XLVII.--ANOTHER CHANGE
XLVIII.--DISSOLUTION
XLIX.--THORNWICK
L.--WILLIAM AND MARY MARSTON
LI.--A HARD TASK
LII.--A SUMMONS
LIII.--A FRIEND IN NEED
LIV.--THE NEXT NIGHT
LV.--DISAPPEARANCE
LVI.--A CATASTROPHE
LVII.--THE END OF THE BEGINNING
CHAPTER I
THE SHOP
It was an evening early in May. The sun was low, and the street was
mottled with the shadows of its paving-stones--smooth enough, but far
from evenly set. The sky was clear, except for a few clouds in the
west, hardly visible in the dazzle of the huge light, which lay among
them like a liquid that had broken its vessel, and was pouring over the
fragments. The street was almost empty, and the air was chill. The
spring was busy, and the summer was at hand; but the wind was blowing
from the north.
The street was not a common one; there was interest, that is feature,
in the shadowy front of almost each of its old houses. Not a few of
them wore, indeed, something like a human expression, the look of
having both known and suffered. From many a porch, and many a latticed
oriel, a long shadow stretched eastward, like a death flag streaming in
a wind unfelt of the body--or a fluttering leaf, ready to yield, and
flit away, and add one more to the mound of blackness gathering on the
horizon's edge. It was the main street of an old country town, dwindled
by the rise of larger and more prosperous places, but holding and
exercising a charm none of them would ever gain.
Public-domain text, read in full here on John Shaqi.
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