Christian fiction; Scotland -- Fiction; Young women -- Fiction
Some men, and most women, counted Miss Yolland _strangely_ ugly. But
there were men who exceedingly admired her. Not very slight for her
stature, and above the middle height, she looked small beside Hesper.
Her skin was very dark, with a considerable touch of sallowness; her
eyes, which were large and beautifully shaped, were as black as eyes
could be, with light in the midst of their blackness, and more than a
touch of hardness in the midst of their liquidity; her eyelashes were
singularly long and black, and she seemed conscious of them every time
they rose. She did not _use_ her eyes habitually, but, when she did,
the thrust was sudden and straight. I heard a man once say that a look
from her was like a volley of small-arms. Like Hesper's, her mouth was
large and good, with fine teeth; her chin projected a little too much;
her hands were finer than Hesper's, but bony. Her name was Septimia;
Lady Margaret called her Sepia, and the contraction seemed to so many
suitable that it was ere long generally adopted. She was in mourning,
with a little crape. To the first glance she seemed as unlike Hesper as
she could well be; but, as she stood gently regarding the two, Mary,
gradually, and to her astonishment, became indubitably aware of a
singular likeness between them. Sepia, being a few years older, and in
less flourishing condition, had her features sharper and finer, and by
nature her complexion was darker by shades innumerable; but, if the one
was the evening, the other was the night: Sepia was a diminished and
overshadowed Hesper. Their manner, too, was similar, but Sepia's was
the haughtier, and she had an occasional look of defiance, of which
there appeared nothing in Hesper. When first she came to Durnmelling,
Lady Malice had once alluded to the dependence of her position--but
only once: there came a flash into rather than out of Sepia's eyes that
made any repetition of the insult impossible and Lady Malice wish that
she had left her a wanderer on the face of Europe.
Sepia was the daughter of a clergyman, an uncle of Lady Malice, whose
sons had all gone to the bad, and whose daughters had all vanished from
society. Shortly before the time at which my narrative begins, one of
the latter, however, namely Sepia, the youngest, had reappeared, a
fragment of the family wreck, floating over the gulf of its
destruction. Nobody knew with any certainty where she had been in the
interim: nobody at Durnmelling knew anything but what she chose to
tell, and that was not much. She said she had been a governess in
Austrian Poland and Russia. Lady Margaret had become reconciled to her
presence, and Hesper attached to her.
Public-domain text, read in full here on John Shaqi.
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