After this she would go around the flower-beds and look at each; some
of them were shaped like stars, and some were quite round, and others
again were square. She liked the star-shaped flower-beds best, and
next she liked the round ones, and last of all the square. But she
loved all the flowers, and used to make up stories about them.
After that, growing hungry, she would go home for her lunch. She went
home down Grafton Street and O'Connell Street. She always went along
the right-hand side of the street going home, and looked in every shop
window that she passed, and then, when she had eaten her lunch, she
came out again and walked along the left-hand side of the road,
looking at the shops on that side, and so she knew daily everything
that was new in the city, and was able to tell her mother at nighttime
that the black dress with Spanish lace was taken out of Manning's
window and a red gown with tucks at the shoulders and Irish lace at
the wrists put in its place; or that the diamond ring in Johnson's
marked One Hundred Pounds was gone from the case and that a slide of
brooches of beaten silver and blue enamel was there instead.
In the nighttime her mother and herself went round to each of the
theaters in turn and watched the people going in and looked at the big
posters. When they went home afterwards they had supper and used to
try to make out the plots of the various plays from the pictures they
had seen, so that generally they had lots to talk about before they
went to bed. Mary Makebelieve used to talk most in the nighttime, but
her mother talked most in the morning.
III
Her mother spoke sometimes of matrimony as a thing remote but very
certain; the remoteness of this adventure rather shocked Mary
Makebelieve; she knew that a girl had to get married, that a strange,
beautiful man would come from somewhere looking for a wife and would
retire again with his bride to that Somewhere which is the country of
Romance. At times (and she could easily picture it) he rode in armor
on a great bay horse, the plume of his helmet trailing among the high
leaves of the forest. Or he came standing on the prow of a swift ship
with the sunlight blazing back from his golden armor. Or on a grassy
plain, fleet as the wind, he came running, leaping, laughing.
Public-domain text, read in full here on John Shaqi.
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