Bildungsromans; Domestic fiction; Mothers and daughters -- Fiction
The front door stood open. She went in.
The drawing-room at the back was full of the queer white light. Things
stood out in it, sharp and suddenly strange, like the trees and houses in
the light outside: the wine-red satin stripes in the grey damask curtains
at the three windows; the rings of wine-red roses on the grey carpet; the
tarnished pattern on the grey wall-paper; the furniture shining like dark
wine; the fluted emerald green silk in the panel of the piano and the
hanging bag of the work-table; the small wine-red flowers on the pale
green chintz; the green Chinese bowls in the rosewood cabinet; the blue
and red parrot on the chair.
Her mother sat at the far end of the room. She was sorting beads into
trays in a box lined with sandal wood.
Mary stood at the doorway looking in, swinging her hat in her hand.
Suddenly, without any reason, she was so happy that she could hardly bear
it.
Mamma looked up. She said, "What are you doing standing there?"
She ran to her and hid her face in her lap. She caught Mamma's hands and
kissed them. They smelt of sandal wood. They moved over her hair with
slight quick strokes that didn't stay, that didn't care.
Mamma said, "There. That'll do. That'll do."
She climbed up on a chair and looked out of the window. She could see
Mamma's small beautiful nose bending over the tray of beads, and her
bright eyes that slid slantwise to look at her. And under the window she
saw the brown twigs of the lilac bush tipped with green.
Her happiness was sharp and still like the white light.
Mamma said, "What did you see when you were out with Jenny to-day?"
"Nothing."
"Nothing? And what are you looking at?"
"Nothing, Mamma."
"Then go upstairs and take your things off. Quick!"
She went very slowly, holding herself with care, lest she should jar her
happiness and spill it.
One of the windows of her room was open. She stood a little while looking
out.
Beyond the rose-red wall of the garden she saw the flat furrowed field,
stripes of grey earth and vivid green. In the middle of the field the
five elms in a row, high and slender; four standing close together, one
apart. Each held up a small rounded top, fine as a tuft of feathers.
On her left towards Ilford, a very long row of high elms screened off the
bare flats from the village. Where it ended she saw Drake's Farm; black
timbered barns and sallow haystacks beside a clump of trees. Behind the
five elms, on the edge of the earth, a flying line of trees set wide
apart, small, thin trees, flying away low down under the sky.
She looked and looked. Her happiness mixed itself up with the queer light
and with the flat fields and the tall, bare trees.
She turned from the window and saw the vases that Mamma had given her
standing on the chimney-piece. The black birds with red beaks and red
legs looked at her. She threw herself on the bed and pressed her face
into the pillow and cried "Mamma! Mamma!"
IV.
Public-domain text, read in full here on John Shaqi.
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