Adventure stories; Crime -- Fiction; Detective and mystery stories; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction
“Congratulations. It’s a dam’ rotten show! And Nina Cordova--she’s
all there off the stage, pretty, and clever, and one wise little
girl, don’t you forget it!--but a dam’ rotten star and the voice
of a guinea-hen that’s got the quinsy. And it cost sixty thousand
dollars to get the curtain up last night, and I put up twenty thousand
dollars of that boodle. Tell me, oh, why”--with a quaver of mock
self-sympathy--“am I always going out of my own line and letting myself
be played as a sucker by some manager or actress that wants extra
backing? Twenty thousand honest-to-God dollars! I kissed ’em good-bye
the very minute Nina first opened that dam’ pretty mouth, and her first
note rasped across the footlights! Ain’t I the boob!”
Clifford smiled at the grotesquely disconsolate figure, but did
not answer; he knew no answer was expected. But while he smiled,
waiting, part of his brain was remarking that these seemingly reckless
ventures of Loveman were in truth sound investments on which, by
the devious methods of his art, he later realized sumptuously. That
twenty thousand, which would make the vain Nina regard him as her
disinterested friend and adviser, wasn’t money thrown away--not in view
of the whispered affair between the voiceless prima donna, and--
“Why should I be blowing my roll,” continued Loveman, “on these dam’
musical comedies--_musical_, say there’s some irony for you!--when what
I’d have liked would have been to help back a show like ‘Justice.’
Or the Russian ballet. Nijinsky--there’s some artist for you!” His
last words were vividly sincere; there was nothing more sincere about
the little man than his admiration for the highest endeavors in art.
“And yet my coin goes into ‘Orange Blossoms’! Is there an artistic
Dr. Jekyll and Mr. Hyde?--there is, and I’m the party--and that’s why
my stomach, esophagus, palate, tongue, mouth, and all appertaining
thereunto, are this A.M. composed of a faded and dusty Brussels carpet.
But, my boy, you didn’t come here to listen to my woes. What can I do
for you?”
His humorously bewailing manner had suddenly dropped from him; he was
brisk and alert, and his over-large eyes were fixed upon Clifford
keenly. Clifford knew that there was little chance of deceiving this
holder of the threads of destiny in a direct encounter.
“I came here, Loveman, to ask you for the address of Mary Regan.”
Loveman looked puzzled. “Mary Regan--do I know her?”
Was there something behind this evasion? “You remember her if you
remember getting Bradley off. She was in that case.”
“Oh, yes, I remember: slender--dark--handsome. But I haven’t seen her
since the trial.”
“I don’t mean to call you anything, Loveman,--but I was told you were
recently seen with her in public.”
“Where?”
“At the Grand Alcazar--for dinner--three nights ago.”
Loveman smiled. “You’ve caught me. I own up. But my fib was a
gentleman’s lie.”
“How so?”
“She didn’t want it known that she was in New York.”
“Why not?”
Public-domain text, read in full here on John Shaqi.
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