MR. MORLAND. You never say precisely what your age is.
MR. AMY. I am in the late sixties. I am sure I have told you that
before.
MR. MORLAND. It seems to me you have been in the sixties longer than it
is usual to be in them.
MRS. MORLAND (_with her needles_). James!
MR. MORLAND. No offence, George, I was only going to say that at
seventy-three I certainly don’t feel my age. How do you feel, George,
at--at sixty-six? (_More loudly, as if MR. AMY were a little deaf._)
Do you feel your sixty-six years?
MR. AMY (_testily_). I am more than sixty-six. But I certainly don’t
feel my age. It was only last winter that I learned to skate.
MR. MORLAND. I still go out with the hounds. You forgot to come last
time, George.
MR. AMY. If you are implying anything against my memory, James.
MR. MORLAND (_peering through his glasses_). What do you say?
MR. AMY. I was saying that I have never used glasses in my life.
MR. MORLAND. If I wear glasses occasionally it certainly isn’t because
there is anything defective in my eyesight. But the type used by
newspapers nowadays is so vile----
MR. AMY. There I agree with you. Especially Bradshaw.
MR. MORLAND (_not hearing him_). I say the type used by newspapers of
to-day is vile. Don’t you think so?
MR. AMY. I have just said so. (_Pleasantly._) You are getting rather
dull of hearing, James.
MR. MORLAND. I am? I like that, George! Why, I have constantly to shout
to you nowadays.
MR. AMY. What annoys me is not that you are a little deaf, you can’t
help that. But from the nature of your replies I often see that you are
pretending to have heard what I said when you did not. That is rather
vain, James.
MR. MORLAND. Vain! Now you brought this on yourself, George. I have got
something here I might well be vain of, and I meant not to show it to
you because it will make you squirm.
(_MRS. MORLAND taps warningly._)
MR. MORLAND. I didn’t mean that, George. I am sure that you will be
delighted. What do you think of this?
(_He produces a water-colour which his friend examines at arm’s
length._)
Let me hold it out for you as your arms are so short.
(_The offer is declined._)
MR. AMY (_with a sinking_). Very nice. What do you call it?
MR. MORLAND. Have you any doubt? I haven’t the slightest. I am sure
that it is an early Turner.
MR. AMY (_paling_). Turner!
MR. MORLAND. What else can it be? Holman suggested a Gurton or even
a Dayes. Absurd! Why, Dayes was only a glorified drawing-master.
I flatter myself I can’t make a mistake about a Turner. There is
something about a Turner difficult to define, but unmistakable, an
absolute something. It is a charming view, too; Kirkstall Abbey
obviously.
MR. AMY. Rivaulx, I am convinced.
MR. MORLAND. I say Kirkstall.
MRS. MORLAND (_with her needles_). James!
MR. MORLAND. Well, you may be right, the place doesn’t matter.
Public-domain text, read in full here on John Shaqi.
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