Mary Russell Mitford and her surroundings — John Shaqi
Mary Russell Mitford and her surroundingsHill, Constance
History
Mary Russell Mitford and her surroundings
Hill, Constance
Authors, English -- 19th century -- Biography; Mitford, Mary Russell, 1787-1855; Women intellectuals -- Great Britain -- Biography
“From ... the High Bridge the Kennet now showed like a mirror
reflecting on its icy surface into a peculiar broad and bluish shine,
the arch of lamps surmounting the graceful airy bridge and the
twinkling lights that glanced here and there, from boat or barge or
wharf, or from some uncurtained window that overhung the river.”
But the chief beauty of the old town was to be seen in summer time
on a Saturday (market-day) at noon. “The old market-place, always
picturesque from the irregular architecture of the houses, and the
beautiful Gothic church by which it is terminated, is then all alive
with the busy hum of traffic.... Noise of every sort is to be heard,
from the heavy rumbling of so many loaded waggons over the paved
market-place to the crash of crockery ware in the narrow passage of
Princes Street. One of the noisiest and prettiest places is the Piazza
at the end of St. Nicholas Church appropriated by long usage to the
female vendors of fruit and vegetables.” The butter market was at
the back of the market proper, “where respectable farmers’ wives and
daughters sold eggs, butter and poultry.” Here too “straw-hats, caps
and ribbons were sold, also pet rabbits and guinea-pigs, together with
owls and linnets in cages.”
[Illustration: DR. MITFORD’S HOUSE IN THE LONDON ROAD]
Among the odd characters who turned up on the occasion of markets
or fairs Miss Mitford mentions a certain rat-catcher by name Sam
Page “whose own appearance was as venomous as that of his retinue,”
and “told his calling almost as plainly as the sharp heads of the
ferrets which protruded from the pockets of his dirty jean jacket,
or the bunch of dead rats with which he was wont to parade the streets
of B. on a market-day.” But before he had taken to this business,
she says, he had tried many other callings, amongst them those of “a
barrel-organ grinder, the manager of a celebrated company of dancing
dogs, and the leader of a bear and a very accomplished monkey. Suddenly
he reappeared one day at B. fair as showman of the Living Skeleton, and
also a performer [himself] in the Tragedy of the Edinburgh Murders, as
exhibited every half-hour at the price of a penny to each person.” Sam
confessed that he liked acting of all things, especially tragedy; “it
was such fun.”
Of the period with which we are dealing Mary writes: “I was a girl at
the time—a very young girl, and, what is more to the purpose, a very
shy one, so that I mixed in none of the gaieties of the place; but
speaking from observation and recollection I can fairly say that I
never saw any society more innocently cheerful.” She tells us of “the
old ladies and their tea visits, the gentlemen and their whist club,
and the merry Christmas parties with their round games and their social
suppers, their mirth and their jests.”
Public-domain text, read in full here on John Shaqi.
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