Mary Seaham: A Novel. Volume 1 of 3Grey, Mrs. (Elizabeth Caroline)
General
Mary Seaham: A Novel. Volume 1 of 3
Grey, Mrs. (Elizabeth Caroline)
Great Britain -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction; Young women -- Fiction
But her smile, not exactly sorrowful, was gentle and subdued,
harmonising entirely with the spirit of her movements, as well as with
the whole character of the scene in which she seemed to play so solitary
a part.
The smile, however, was soon chased by a slight sigh, and softly calling
the little dog, who roused and shook itself at her summons, springing
with alacrity to obey her call, she passed through the open window, and
with a semblance of relief proceeded across the lawn, her spirit
appearing to revive with every elastic step she took, beneath the
influence of the fresh and open air.
* * * * *
The clock struck eight as she passed from the grounds, and skirting the
village made her way through a romantic dell, where a rapid stream
issued from a thick wood, turning the rustic mill situated at its base.
Slowly she ascended a precipitous hill leading to a heath-clad common.
Although she had avoided the actual village, where rude attempts at
wedding decorations would have greeted her on every side, and her
appearance have attracted more notice than would have been agreeable to
her feelings just then, she did not escape, during her route, some stray
encounters; and many a curtsey, smile, and kindly word, were bestowed
upon her, by the good, simple-hearted people she met. Whilst none the
less did she prize this greeting, because with the congratulatory
expression of their countenances, something of pitying condolence might
be visible.
The poor and humble however devoid they may be of sentiment, have often
readier sympathy for the natural feeling of humanity, than we are apt to
give them credit, and they could compassionate the poor young lady who
had acted bridesmaid to a last unmarried sister--seen that sister
carried far from home--and she left behind all alone with the old
people.
Perhaps their compassion might extend almost further than the real state
of the case required.
It is very sad indeed to be left behind under similar circumstances. The
void, the blank, at first experienced, is perhaps one of the most
painful of all mental affections that can be sustained. But I think
there is something almost more melancholy, in what is sooner or later
sure to follow, in more or less degree according to the tone of men's
minds or the circumstances of their position--namely, when the aching
void begins imperceptibly to assuage, the blank to fill up, and we cease
to miss, or with difficulty realize the consciousness of our
bereavement; when the strong realities and intimate associations of
years seem, as by one magic touch, obliterated, and we would fain
recall even the haunting shadows of the past, to assure us that such
things have been.
"We cannot paint to memory's eye
The scene, the glance we dearest love,
Unchanged themselves, in us they die,
Or faint and false their shadows prove."
Public-domain text, read in full here on John Shaqi.
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