Mary Seaham: A Novel. Volume 1 of 3Grey, Mrs. (Elizabeth Caroline)
General
Mary Seaham: A Novel. Volume 1 of 3
Grey, Mrs. (Elizabeth Caroline)
Great Britain -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction; Young women -- Fiction
We said or quoted something to the same effect in a preceding chapter,
and added--that it was well that it should be so.
CHAPTER VII.
There are some moments in our fate
That stamp the colour of our days.
And mine was sealed in the slight gaze
Which fixed my eye, and fired my brain,
And bowed my head beneath the chain.
L. E. L.
Mrs. de Burgh soon after led Mary to the drawing-room, when all that was
kind and affectionate, and calculated to reassure her young guest's
mind, with regard to her previously conceived misgivings, was expressed
by the former lady.
They were, however--owing probably to the lateness of the hour, soon
joined by the gentlemen.
Mr. de Burgh immediately sat down by his cousin's side, and, as if with
the intention of making himself more thoroughly agreeable than
circumstances had previously permitted, he entered into animated
discourse, in which, finding Mary perfectly able to sustain a competent
and intelligent part, he had speedily passed from the merits and beauty
of his children, and such like natural easy points of discussion, to
some improvements in the grounds, in which his interest seemed to be at
present much engrossed, showing more scientific and general information
on the whole than she had previously conceived him to possess;--he,
appearing on his part pleased to find so willing and intelligent a
listener in his young lady cousin.
Mrs. de Burgh in the meantime had, soon after the conversation commenced
between them, called Eugene Trevor away to the open window, and
conversed with him at intervals in a low, confidential voice, whilst
turning over a pile of new music lying on the ottoman by her side.
At last she called out to Mary, and asked her if she sung.
Mary replied in the negative, but remembering well the beautiful voice
possessed by Mrs. de Burgh before her marriage, she rose with glad
alacrity to solicit a song from her.
Mrs. de Burgh, whose question probably had been but a note of
preparation for her own projected performance, smiled compliance with
the request, and proceeded to the piano, whilst Mary, ensconcing herself
in a quiet nook between the piano and window, yielded her senses to the
soothing enjoyment which poetry and melody conjoined always afforded
them; and Mrs. de Burgh sung that evening only English songs, with a
beauty and pathos perfectly enchanting.
"My spirit like a charmed bark doth swim
Upon the liquid waves of thy sweet singing,
Far away into the regions dim of rapture,
As a boat with swift sail winging
Its way adown some many-winding river."
Many an evening Mary sat in that same place, and listened with
never-tiring pleasure to the same delightful songs, but never perhaps
with such pure, unmingled pleasure as had this sweet music on the
present occasion inspired her.
"Softest grave of a thousand fears,
Where their mother care, like a drowsy child,
Is laid asleep in flowers."
Public-domain text, read in full here on John Shaqi.
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