Mary Seaham: A Novel. Volume 2 of 3Grey, Mrs. (Elizabeth Caroline)
General
Mary Seaham: A Novel. Volume 2 of 3
Grey, Mrs. (Elizabeth Caroline)
Great Britain -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction; Young women -- Fiction
"Dear Agnes, shall we go on? There is Sir Hugh coming," and Lady Morgan
felt a gentle pressure on her fair round arm, and looking back, caught
sight once more of her sister's pale and piteous countenance.
"My poor, dear Mary, these places certainly do not suit you," whispered
her affectionate young _chaperone_, as she passed her sister's trembling
arm through hers, and pressed onwards through the crowd to meet her
husband. "I must really carry you back with me as soon as possible to
our mountain breezes."
"Would that I had never left them, Aggy!" murmured poor Mary in low
plaintive accents, whilst an uncontrollable flood of tears came to her
full heart's relief.
* * * * *
The very next day, Mary set out on one of those expeditions, which at
this time might be called her only real enjoyment--namely, her visits to
her brother in his chambers at the Temple; often, as was the case on
this occasion, to bring him back to dine in Portman Square.
The Majoribanks' chariot, with its fat, slow, sleek horses, and steady
attendants, being conceded to her special use this evening; she went
forth heavy at heart, but anxiously striving to rally her spirits, to
meet her brother with that cheerfulness which in his society she ever
strove (and found it less difficult than under other circumstances) to
assume. It was rather early to proceed straight to the Temple, and
therefore Mary had agreed with her aunt, that she should go first to
execute some commissions in the opposite direction.
We can easily imagine from what source alone the interest could spring,
with which her sad eyes gazed through the carriage windows, as she
passed through some of the streets in this quarter.
Did she not know that somewhere in this vicinity, Eugene always lodged
when he came to town. And oh! to be passing perhaps the very door of the
house that contained him, was the gasping utterance of her heart, as she
swallowed down the tears which struggled upwards at this suggestion.
"But he--he does not care--he can be happy and cheerful without me," was
the still more bitter thought which succeeded, as she shrank back in the
carriage in dark and tearless dejection.
But from this she is aroused by one of those matter-of-fact realities of
common life, which form fortunate and salutary breaks in the tragic, or
the romance of man's existence.
The carriage stops before a fancy workshop in Bond Street, where many
colours for her aunt's worsted work are to be matched or chosen.
Mary does not herself alight; but gives a few directions to the well
initiated footman, who knows perfectly how to give the order--better
indeed perhaps than she herself--and sits in patient abstraction till
the man's return. He reappears, puts the parcel into the carriage, then
draws abruptly back, for some one has touched his arm, and signs that he
should give place.
Public-domain text, read in full here on John Shaqi.
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