It was not until the headland of Cape Verde was sighted and passed, and
she saw in succession stretches of green banks, white sands upon which
the surf beat, and long grey levels of mangrove, that she began to
realise the presence of Africa. From the shore came hot whiffs of that
indescribable smell so subtly suggestive of a tropical land; while the
names of the districts--the Ivory Coast, the Gold Coast, the Slave
Coast--conjured up the old days of adventure, blood-red with deeds of
cruelty and shame. This Gulf of Guinea was the heart of the slave
trade: more vessels loaded up here with their black cargo than at any
other port of the continent, and the Bight of Biafra, on which Calabar
is situated, was ever the busiest spot. Mangrove forests, unequalled
anywhere for immensity and gloom, fringe the entire sweep of the Gulf.
Rooted in slime, malodorous and malarious, they form a putrescent
paradise for all manner of loathly creatures.
Out of the blue waters of the Atlantic the _Ethiopia_ ran, on Saturday,
September 11, into the mud-coloured estuary of the Cross and Calabar
Rivers. On the left lay the flat delta of the Niger, ahead stretched
the landscape of mangrove as far as the eye could range; to the south-
east rose the vast bulk of the Cameroon Mountains. With what interest
Mary gazed on the scene one can imagine. Somewhere at the back of these
swamps was the spot where she was to settle and work. That it was near
the coast she knew, for all that more distant land was unexplored and
unknown: most of what was within sight, indeed, was still outside the
pale of civilisation; through the bush and along the creeks and lagoons
moved nude people, most of whom had never seen a white face. It might
well seem an amazing thing to her, in view of the fact that there had
been commerce with the coast for centuries. Vessels had plied to it for
slaves, spices, gold dust, ivory, and palm oil; traders mingled with
the people, and spoke their tongue; and yet it remained a land of
mystery.
Public-domain text, read in full here on John Shaqi.
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