“My lord,” the queen then said, taking a step towards him, “it may be that as I am a woman, in spite of my desire and my will, I never find an opportunity to repay you what you are doing to me; but,” she added, energetically striking her womb with her hand, “he whom I bear there, and whose life you should have respected, since you respect my Majesty so little, will one day revenge me for all these insults”. Then, with a gesture at once superb and threatening, she withdrew by Darnley’s door, which she closed behind her. At that moment a great noise was heard in the queen’s room. Huntly, Athol, and Bothwell, who, we are soon about to see, play such an important part in the sequel of this history, were supping together in another hall of the palace, when suddenly they had heard outcries and the clash of arms, so that they had run with all speed. When Athol, who came first, without knowing whose it was, struck against the dead body of Rizzio, which was stretched at the top of the staircase, they believed, seeing someone assassinated, that the lives of the king and queen were threatened, and they had drawn their swords to force the door that Morton was guarding. But directly Darnley understood what was going on, he darted from the cabinet, followed by Ruthven, and showing himself to the newcomers— “My lords,” he said, “the persons of the queen and myself are safe, and nothing has occurred here but by our orders. Withdraw, then; you will know more about it in time. As to him,” he added, holding up Rizzio’s head by the hair, whilst the bastard of Douglas lit up the face with a torch so that it could be recognised, “you see who it is, and whether it is worth your while to get into trouble for him”. And in fact, as soon as Huntly, Athol, and Bothwell had recognised the musician-minister, they sheathed their swords, and, having saluted the king, went away.