Maine -- Fiction; Science fiction; Seaside resorts -- Fiction; Time -- Fiction
Weems was leaning forward over his table, staring at the dancer with
sensual lips parted. And she, quite aware of his attention and his
wealth, was outdoing herself.
A prosaic scene, one would have said. Opening night of a resort de luxe;
wealthy widower concentrating on a dancer's whirling bare body; people
applauding carelessly. But the scene was to become far indeed from
prosaic--and the cause of its change was to be Weems.
* * * * *
Among the people standing at the roof-garden entrance and wishing they
could crowd in, there was a stir. A woman walked among them.
She was tall, slender but delicately voluptuous, with a small, shapely
head on a slender, exquisite throat. The pallor of her clear skin and
the largeness of her intensely dark eyes made her face look like a
flower on an ivory stalk. She was gowned in cream-yellow, with the
curves of a perfect body revealed as her graceful walk molded her frock
against her.
Many people looked at her, and then, questioningly, at one another. She
had been registered at the hotel only since late afternoon, but already
she was an object of speculation. The register gave her name as Madame
Sin, and the knowing ones had hazarded the opinion that she, and her
name, were publicity features to help along with the resort opening
news.
Madame Sin entered the roof garden, with the assurance of one who has a
table waiting, and walked along the edge of the small dance floor. She
moved silently, obviously not to distract attention from the slave
dance. But as she walked, eyes followed her instead of the dancer's
beautiful moves.
She passed Weems' table. With the eagerness of a man who has formed a
slight acquaintance and would like to make it grow, Weems rose from his
table and bowed. The woman known as Madame Sin smiled a little. She
spoke to him, with her exotic dark eyes seeming to mock. Her slender
hands moved restlessly with the gold-link purse she carried. Then she
went on, and Weems sat down again at his table, with his eyes resuming
their contented scrutiny of the dancer's convolutions.
The dancer swayed toward him, struggling gracefully with her symbolic
chains. Weems started to raise a glass of champagne abstractedly toward
his lips. He stopped, with his hand half-way up, eyes riveted on the
dancer. The spotlight caught the fluid in his upraised glass and flicked
out little lights in answer.
The dancer whirled on. And Weems stayed as he was, staring at the spot
where she had been, glass poised half-way between the table and his
face, like a man suddenly frozen--or gripped by an abrupt thought.
The slave-girl whirled on. But now as she turned, she looked more often
in Weems' direction, and a small frown of bewilderment began to gather
on her forehead. For Weems was not moving; strangely, somehow
disquietingly, he was staying just the same.
Public-domain text, read in full here on John Shaqi.
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