Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two ActsReade, Charles
General
Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two Acts
Reade, Charles
Woffington, Margaret, -1760 -- Drama
MABEL. How kind they all are to me, except him whose kindness alone I
value, and he must take Lady Betty's hand instead of mine; but that is
good breeding I suppose. I wish there was no such thing as good
breeding in London, any more than in Huntingdonshire.
COLANDER (_without, angrily, C. L._) I tell you Mr. Vane is not at
home.
MABEL. What is the matter?
[_Triplet discovered attempting to force his way through L. C.
Colander bars his entrance. Triplet carries a portfolio, two volumes,
and a roll of manuscript._]
COL. I tell you he is not at home, sir.
MABEL. How can you say so, when you know he is in the garden.
COL. Ugh! (_aside_) the simpleton.
MABEL. Show the gentleman in.
COL. Gentleman!
TRIP. A thousand thanks, madam, for this condescension; I will wait
Mr. Vane's leisure in the hall.
MABEL. Nay, sir, not in the hall, 'tis cold there. Tell Mr. Vane the
gentleman waits. Will you go, sirrah?
COL. I am gone, madam. (_Aside_) Porter to players! and now usher to
an author! curse me if I stand it.
[_Exit L. U. E._
TRIP. (_advancing_). A thousand apologies, madam, for the trouble I
put you to. I--madam--you overwhelm me with confusion.
MABEL. Nay--nay--be seated.
TRIP. Madam, you are too condescending. (_Aside_) Who can she be?
(_Bows again and again._)
MABEL. Nay, sit down and rest you. (_Triplet bows, and sits on the
edge of a chair, with astonishment_). You look sadly adust and tired.
TRIP. Why, yes, madam; it is a long way from Lambeth; and the heat is
surpassing (_takes his handkerchief out to wipe his brow: returns it
somewhat hastily to his pocket_). I beg your pardon, I forgot myself.
MABEL (_aside_). Poor man, he looks sadly lean and hungry. And I'll be
bound you came in such a hurry, you forgot--you mustn't be angry with
me--to have your dinner first.
TRIP. How strange! Madam, you have guessed it. I did forget--he,
he!--I have such a head--not that I need have forgotten it--but being
used to forget it, I did not remember not to forget it to-day (_smiles
absurdly_).
MABEL (_pours wine_). A glass of wine, sir?
TRIP. (_rising and bowing_). Nay, madam (_eyes the wine--drinks_).
Nectar, as I am a man. (_She helps him to refreshments_).
MABEL. Take a biscuit, sir?
TRIP. (_eating_). Madam, as I said before, you overwhelm me. Walking
certainly makes one hungry (_eats_). Oh, yes, it certainly does
(_Mabel helps him_); and though I do not usually eat at this time of
the day. (_Mabel helps him again._)
MABEL. I am sorry Mr. Vane keeps you waiting.
TRIP. By no means, Madam, it is very fortunate (_eats_)--I mean it
procures me the pleasure of (_eats_) your society. Besides, the
servants of the Muse are used to waiting. What we are not used to is
(_she fills his glass_) being waited on by Hebe and the Twelve Graces,
whose health I have the honour!--Falernian, as I'm a poet!
MABEL. A poet! (_clapping her hands._) Oh, I am so glad! I never
thought to see a living poet; I do so love poetry!
Public-domain text, read in full here on John Shaqi.
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