Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two ActsReade, Charles
General
Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two Acts
Reade, Charles
Woffington, Margaret, -1760 -- Drama
SOAP. We have been invited, and are here to accept. I was told Mr.
Vane was here.
QUIN. No; but he is on the stage.
SNARL. Come, then, Soaper.
[_They move towards door._
SOAP. (_aside_). Snarl!
SNARL. Yes. (_With a look of secret intelligence_).
SOAP. (_crosses slowly to Clive_). My dear Mrs. Clive, there was I
going away without telling you how charmed I was with your Flippanta;
all that sweetness and womanly grace, with which you invested that
character, was----
SNARL. Misplaced. Flippanta is a vixen, or she is nothing at all.
SOAP. Your Sir John Brute, sir, was a fine performance: you never
forgot the gentleman even in your cups.
SNARL. Which, as Sir John Brute is the exact opposite of a gentleman,
he ought to have forgotten.
[_Exit L._
SOAP. But you must excuse me now; I will resume your praise at
dinner-time.
[_Exit, with bows, L._
CLIVE (_walks in a rage_). We are the most unfortunate of all artists.
Nobody regards our feelings. (_Quin shakes his head._)
[_Enter Call-Boy L._]
CALL-BOY. Mr. Quin and Mrs. Clive!
[_Exit Call-Boy L._
QUIN. I shall cut my part in this play.
CLIVE (_yawns_). Cut it as deep as you like, there will be enough
left; and so I shall tell the author if he is there.
[_Exeunt Quin and Clive L._
[_Enter Mr. Vane and Sir Charles Pomander L._]
POM. All this eloquence might be compressed into one word--you love
Mrs. Margaret Woffington.
VANE. I glory in it.
POM. Why not, if it amuses you? We all love an actress once in our
lives, and none of us twice.
VANE. You are the slave of a word, Sir Charles Pomander. Would you
confound black and white because both are colours? Actress! Can you
not see that she is a being like her fellows in nothing but a name?
Her voice is truth, told by music: theirs are jingling instruments of
falsehood.
POM. No--they are all instruments; but hers is more skilfully tuned and
played upon.
VANE. She is a fountain of true feeling.
POM. No--a pipe that conveys it, without spilling or retaining a drop.
VANE. She has a heart alive to every emotion.
POM. And influenced by none.
VANE. She is a divinity to worship.
POM. And a woman to fight shy of. No--no--we all know Peg Woffington;
she is a decent actress on the boards, and a great actress off them.
But I will tell you how to add a novel charm to her. Make her
blush--ask her for the list of your predecessors.
VANE (_with a mortified air_). Sir Charles Pomander! But you yourself
profess to admire her.
POM. And so I do, hugely. Notwithstanding the charms of the mysterious
Hebe I told you of, whose antediluvian coach I extricated from the
Slough of Despond, near Barnet, on my way to town yesterday, I gave La
Woffington a proof of my devotion only two hours ago.
VANE. How?
POM. By offering her three hundred a-year--house--coach--pin-money--my
heart----and the et ceteras.
VANE. You? But she has refused.
Public-domain text, read in full here on John Shaqi.
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