Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two ActsReade, Charles
General
Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two Acts
Reade, Charles
Woffington, Margaret, -1760 -- Drama
WOFF. Till we (_cuts a large piece of pie, and puts on child's plate_)
put a different idea into their stomachs. Come, _trinquons!_ as they
do in France (_fills glasses, and touches hers with those of the
children, who crowd round her with delight_). Were you ever in France,
Triplet?
TRIP. No, madam, I am thoroughly original.
WOFF. That's true. Well, I went there once to learn tragedy of the
great Dumesnil (_recites a couple of lines of tragedy à la
Française_). But Peg Woffington was never meant to walk the stage on
stilts;--no, let Mrs. Pritchard pledge Melpomene in her own
poison-bowl, I'll give you Thalia in a bumper of Burgundy. Come, drink
to your new mistress, Triplet (_fills her glass_). Mrs. Triplet (_she
rises, bottle and glass in hand_), I must prescribe for you too. A
wine glassful of this _elixir_ six times a day till further notice.
Success to your husband's comedy! What's this? (_Sees fiddle in
cradle_). A fiddle, as I'm an ex-orange wench! (_Giving it to
Triplet._) Here, Triplet, a jig--a jig. (_Triplet takes fiddle._)
Peggy has not forgotten how to cover the buckle. Come, young
ones--(_Triplet plays. She dances a jig with the children_)--more
power to your elbow, man--shake it, ye sowl! Hurroo! (_She dances up
to Triplet, who, in his excitement, rises and joins in the jig, while
Mrs. Triplet follows their movements with her body._) But come, Mr.
Triplet, you really shan't make me play the fool any longer.
Business!--my picture is to be finished. Mrs. Triplet, we must clear
the studio:--take your cherubs into the bed-room.
MRS. T. (_seizes her hand_). Oh, madam! may the blessings of a mother
watch over you in life and after it, and the blessings of these
innocents too!
WOFF. Pooh! pooh! let me kiss the brats (_kisses them_). (_Aside._
Poor things!)
BOY. I shall pray for you after father and mother.
GIRL. I shall pray for you after daily bread, because we were so
hungry till you came.
WOFF. (_putting them off_). There, there. Exeunt mother and cherubs.
Music for the exit, Trippy--the merriest you can extort from that
veteran Stradivarius of yours. (_Aside._ Heaven knows I've as much
need of merry music as the saddest of them) (_sees Triplet overcome_).
Why, how now? If there isn't this kind-hearted, soft-headed, old booby
of a Triplet making a picture of himself in water colours. (_Goes up
to him--taps him on the arm_). Come! to work--to work, and with a
will, for I have invited Cibber, and Quin, and Clive, and Snarl,
Soaper and all, to see the portrait, which is to make your fortune and
hand me down to posterity not half as handsome as nature made me.
There (_sits_), I must put on my most bewitching smile of course.
(_Aside_) Oh, dear! how it belies my poor aching heart.
[_Triplet, during this, has got his palette and pencil, set his easel,
and begun to work, while Woffington sits._]
Well, are you satisfied with it?
TRIP. Anything but, madam (_paints_).
WOFF. Cheerful soul! then I presume it is like.
Public-domain text, read in full here on John Shaqi.
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