Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two Acts — John Shaqi
Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two ActsReade, Charles
General
Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two Acts
Reade, Charles
Woffington, Margaret, -1760 -- Drama
POM. In your arms! (_Aside._ Confounds himself with his wife.) Perhaps
you had better explain, my friend?
TRIP. Nay, sir--be yours the pleasing duty!
VANE. In one word, Sir Charles Pomander, why are you here? and for
what purpose am I sent for?
POM. In two words my dear fellow, I don't choose to tell you why I am
here--and 'twas not I who sent for you.
VANE (_to Triplet_). Speak, sirrah--your riddling message!
TRIP. There's nothing for it but the truth. Then, sir--the friend I
expected you would find here was Mrs.----
POM. (_to Trip._). Stop, my deplorable-looking friend: (_to Vane_)
when the answer to such a question begins with a mistress, I think you
had better not enquire further: (_to Trip._) Don't complete the name.
VANE. I command you to complete it, or----
TRIP. Gentlemen, gentlemen, how am I to satisfy both of you?
POM. My dear Vane, remember it is a lady's secret--the only thing in
the world one is bound to keep, except one's temper, which,
by-the-bye, you're losing rapidly.
VANE (_aside_). He spoke of griefs and suspicions to be forgiven and
forgotten. Mabel has left my house. (_crosses to C._) Sir Charles
Pomander, I insist on knowing who this lady is. If it is as I fear, I
have the best right to ask.
POM. But the worst right to be answered.
VANE. How am I to construe this tone, sir?
POM. Do as we did at school with a troublesome passage--don't construe
it at all.
VANE. Sir Charles Pomander, you are impertinent.
POM. My dear Vane, you are in a passion.
VANE. By heaven, sir----
TRIP. Gentlemen, gentlemen, I give you my word. Mr. Vane, she does not
know of Sir Charles Pomander's presence here.
VANE. She? s'death, who?
TRIP. Mrs. Vane!
VANE. My wife--here--and with him?
TRIP. No--not with _him!_
POM. I regret to contradict you, my dilapidated friend, or to hurt
you, my dear Vane; but really, in self-defence--you know this
signature (_offers paper written by Woffington_).
VANE. Mabel's hand!
POM. Yes--what my attentions began, your little peccadilloes
finished--cause and effect, my dear fellow,--pure cause and effect.
VANE. Coxcomb and slanderer! draw and defend yourself.
[_draws._
POM. If you will have it!
[_draws._
TRIP. (_throwing himself between them_). Hold! hold!
(_Woffington suddenly opens the inner room door, and presents herself
at the threshold: her hood is drawn over her face_).
TRIP. Mrs. Vane!
VANE. Mabel! wife! say that this is not true--that you were lured by
stratagem. Oh, speak! belie this coxcomb! You know how bitterly I
repented the infatuation that brought me to the feet of another.
(_Woffington bursts into a laugh, and throws back the hood._)
POM. Woffington!
VANE. She here!
WOFF. There, Sir Charles, did I not wager he would confess he was
heartily ashamed of himself? (_crosses to C._)
TRIP. (_aside_). I have a glimmer of comprehension.
WOFF. Yes--we have had our laugh--and Mr. Vane his lesson; as for Mrs.
Vane--this way, madam, and satisfy yourself.
(_Mabel appears._)
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