Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two ActsReade, Charles
General
Masks and Faces; or, Before and Behind the Curtain: A Comedy in Two Acts
Reade, Charles
Woffington, Margaret, -1760 -- Drama
WOFF. I wish I could part with them all.
POM. Nay, this is a most original admirer, Ernest Vane, that pastoral
youth who means to win La Woffington by agricultural courtship, who
wants to take the star from its firmament, and stick it in a cottage.
WOFF. And what does the man think I am to do without this (_imitates
applause_) from my dear public's thousand hands.
POM. You are to have that from a single mouth instead (_mimics a
kiss_).
WOFF. Go on, tell me what more he says.
POM. Why, he----
WOFF. No, you are not to invent; I should detect your work in a
minute, and you would only spoil this man.
POM. He proposes to be your friend, rather than your lover; to fight
for your reputation instead of adding to your éclat.
WOFF. Oh! and is Mr. Vane your friend?
POM. He is!
WOFF. (_with significance_). Why don't you tell him my real character,
and send him into the country again!
POM. I do; but he snaps his fingers at me and common sense and the
world:--there is no getting rid of him, except in one way. I had this
morning the honour, madam, of laying certain propositions at your
feet.
WOFF. Oh, yes, your letter, Sir Charles (_takes it out of her
pocket_). I ran my eye down it as I came along, let me
see--(_letter_)--"a coach," "a country house," "pin-money." Heigh ho!
And I am _so_ tired of houses, and coaches, and pins. Oh, yes, here
_is_ something. What is this you offer me, up in this corner?
[_They inspect the letter together._]
POM. That,--my "heart!"
WOFF. And you can't even write it; it looks just like "earth." There
is your letter, Sir Charles.
[_Curtseys and returns it; he takes it and bows._]
POM. Favour me with your answer.
WOFF. You have it.
POM. (_laughing_). Tell me, do you really refuse?
WOFF. (_inspecting him_). Acting surprise? no, genuine! My good soul,
are you so ignorant of the stage and the world, as not to know that I
refuse such offers as yours every week of my life? I have refused so
many of them, that I assure you I have begun to forget they are
insults.
POM. Insults, madam! They are the highest compliment you have left it
in our power to pay you.
WOFF. Indeed! Oh, I take your meaning. To be your mistress could be
but a temporary disgrace; to be your wife might be a lasting
discredit. Now sir, having played your rival's game----
POM. Ah!
WOFF. And exposed your own hand, do something to recover the
reputation of a man of the world. Leave the field before Mr. Vane can
enjoy your discomfiture, for here he comes.
POM. I leave you, madam, but remember, my discomfiture is neither your
triumph, nor your swain's.
[_Exit L._
WOFF. I do enjoy putting down these irresistibles.
[_Enter Vane, L._]
At last! I have been here so long.
VANE. Alone?
WOFF. In company and solitude. What has annoyed you?
VANE. Nothing.
WOFF. Never try to conceal anything from me. I know the map of your
face. These fourteen days you have been subject to some adverse
influence; and to-day I have discovered whose it is.
Public-domain text, read in full here on John Shaqi.
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