Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
TOM
Many a man before you has tried to deny paternity with a laugh.
GRANT
But you’re old enough to _be_ my father. Are you accusing me of
improving on Nature?
TOM
All artists do. (_Picking up manuscript of_ THE LONELY WAY.) Here’s
how you described me. (_Reading_) “... his eyes have a relentless
coldness when they narrow ... mouth firm but cruel.... Not
attractive but impressive.” There I am. Read it for yourself.
GRANT
Then you are--?
TOM
(_Sarcastically_)
Your child. Your once dearly beloved brain baby.
GRANT
(_Awed_)
Tom Robinson!
TOM
As you originally conceived him here in THE LONELY WAY.
GRANT
Well, I’m damned.
TOM
I suspect you are. _That’s_ what I’m here to see. (_Ominously_)
And then if.... (_Suddenly casual_) But sit down and we’ll talk it
over calmly first. (GRANT _sits down astonished_. TOM _sits also_.)
Thanks.
GRANT
Go on.
TOM
Look at me. Here I am, as you drew me. Tom Robinson. Your greatest
creation!
GRANT
I recognize the egotism.
TOM
(_Blurting_)
I am what my egotism made me. Your egotism also made you dare to
conceive me, here at this very desk, out of your brain, in the
puffs of your cheap cigarettes. The taps on your typewriter were my
first heart beats. Your birth pains were my own cries of life.
GRANT
You certainly gave me a lot of trouble.
TOM
But you never suffered in having me as I did last night when I went
with you to THE SAND BAR and saw what you’d done to Tom Robinson!
GRANT
(_More and more amused at what seems to be the childish petulance
of an admittedly great man_)
You must have had quite a shock.
TOM
Shock? I was disgusted! Why, the actor who’s interpreting me isn’t
even bad looking.
GRANT
No. He couldn’t be. He’s a star.
TOM
But _I_ was your original conception. Why did you alter me into a
good-looking fashion plate with charm? There never was anything
charming about me; _never_.
GRANT
(_Glancing towards his wife’s door_)
Please not so loud. I made you unpleasant, I know; but don’t pile
it on, Tom.
TOM
(_With dignity_)
Robinson to you.
GRANT
(_Smiling_)
I beg your pardon.
TOM
Why you authors feel you can take liberties with your characters is
beyond me. I, for one, shall be treated with respect. (_His eyes
narrow_.) Unless you have lost your capacity to respect a work of
art like me.
GRANT
Come, come. I’m afraid it’s you who have lost your sense of humor.
TOM
(_Sarcastically_)
Perhaps you didn’t give me as much humor as you thought.
GRANT
But can’t we talk over the object of your visit in a friendly
spirit? (_With a smile_.) Say, as father to son?
TOM
You’ll take me seriously before I’m through. I’ll remind you that
_I_ was a force in THE LONELY WAY though in THE SAND BAR Tom
Robinson is merely a figure. One suit a year was good enough for
me. You make him change his every act.
GRANT
(_More at ease_)
I’m afraid you don’t understand the demands of the modern theater.
TOM
What have I--a great character--to do with the modern theater?
GRANT
Public-domain text, read in full here on John Shaqi.
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