Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
Will she accept it from me?
TOM
She’ll take it from anybody.
GRANT
Oh, yes, I remember. I beg your pardon.
MARIE
(_Seeing him lift up the milk bottle_)
Milk!
GRANT
(_Apologetically_)
When I gave you your fondness for alcohol in THE LONELY WAY, we
didn’t have prohibition.
MARIE
Was that the reason you took it away from Marie when you changed
her in THE SAND BAR?
GRANT
Not exactly. You see no leading lady can ever have a real thirst.
I’m sorry if you’re cold.
TOM
Oh, Mrs. Case will warm up when she remembers what you’ve done to
her. She had a wonderful temper when she lived with me.
MARIE
I had to have. And you also took that away from me.
GRANT
I’m very sorry, Mrs. Case; the leading lady didn’t like your temper
either.
MARIE
But _I_ liked it. It was part of my character, as you originally
conceived me.
GRANT
Yes; a character touch. It was the only comedy relief in my play.
TOM
It may have been comedy to you but it was no relief to me.
MARIE
(_Emotionally_)
My temper was my defense and my attack. It aroused fear and
respect. Through it I got what I wanted out of life. It was mine!
Mine! And you took it away from me! Oh!
(_She rushes angrily towards the milk bottle and lifts it
above her as though to smash it; but_ GRANT _stops her_.)
TOM
(_As he lights another cigarette_)
There you see. Every time she thinks of what a temper she has she
loses it.
GRANT
(_Still holding the bottle with her_)
I concede your temper. I always had a hard time to control it.
(_Taking it from her courteously._) It was one of your most
unpleasant traits.
MARIE
(_Sullenly_)
Then why did you change me?
GRANT
It’s a professional secret, Mrs. Case. The leading lady hasn’t
the capacity to reach the heights your wonderful temper demanded.
Besides, her specialty is cute ingénue stuff. She’s a great
popular favorite, you know, and is consequently afraid to lose her
following by playing any part which lacks charm.
TOM
(_Bitterly_)
Charm! Charm! There it is again, Williams. You hadn’t a bit of
respect for Mrs. Case’s _true_ character so you made her charming.
MARIE
But you gave me a charm all my own before I married Tom.
TOM
She kept it to herself; I never suspected it after we were married.
MARIE
But, Mr. Williams, you knew no one could live with Tom Robinson
and not lose her charm. All he really wanted of me was to cook his
chops and wash his dishes.
TOM
She seems to forget she was my wife and that I was a genius. She
wanted me to get my precious fingers red and rough in a dish pan.
MARIE
(_Flaring_)
No. I wanted him to be a human being, not an artist.
GRANT
(_Who has been trying to speak throughout_)
Please. Please. Remember you two are no longer married.
TOM
You see: she’s warming up.
MARIE
(_Bitterly_)
How like old times.
GRANT
By Jove. I remember now. (_Opening manuscript._) I remember
everything about you.
MARIE
Don’t be humorous. There’s lots about your own characters you
authors never know.
TOM
Public-domain text, read in full here on John Shaqi.
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