Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
I should have thought they’d soothe you, not get you so excited.
Though there is one that put me in a terrible temper. (_He looks at
her quickly._) Why did you conceal the _Gazette_ notice from me?
(_Smiling, she shows it to him: he takes it._) Did you think this
would worry me because Arthur Black said THE SAND BAR didn’t live
up to the promise of your other plays?
GRANT
(_Half to himself_)
And he was the only one who liked the others that failed.
JERRY
But it is outrageous of him to say you’d deserted your ideals. I
have half a mind to write to the Editor.
GRANT
(_With a thought_)
Would it mean so very much to you if it were true?
JERRY
Of course it would.
GRANT
(_Defensively_)
But, after all, Jerry, does it make any difference to anybody but
the artist whether he sells out or not?
JERRY
But, dear, _I_ think you’ve just begun to reach your ideals.
GRANT
Just begun?
JERRY
Yes. I never told you before because I didn’t want to discourage
you when we were so hard up. But, Grant dear, I never liked all
those other plays--especially THE LONELY WAY. They seemed unworthy
of you. THE SAND BAR is the first play that really seems true to
life.
GRANT
(_Staring at her_)
Really true to life?
JERRY
Yes. And I hope from now on you’ll go on writing the plays that
will make people feel happier and....
GRANT
(_Suddenly bursting out in an ironic laugh_)
I’ve got it. I’ve got it.
JERRY
What?
GRANT
The curtain raiser Trebaro wants. I’ll call it THE MASK. No. MASKS!
That’s the title. I’ll show _them_ whether I’m dead or not.
JERRY
What are you talking of?
GRANT
The theme of my play: that so long as an artist knows what he is
doing with his art he is alive: that the only thing which can kill
him is self-deception.
JERRY
Dear me, you’re going to write another play nobody will understand?
GRANT
(_Contemptuously_)
Why should I care whether _anybody_ will understand it?
JERRY
But Trebaro won’t produce it, dear.
GRANT
Oh yes, he will: he said he’d produce anything I wrote no matter
how good it was.
JERRY
(_Seeing him eagerly go to his typewriter_)
You’re going to begin it _now_?
GRANT
Yes. _Now._ I can write it off at a sitting.
JERRY
To-night--of all nights?
GRANT
Yes. As Tom said: while the “glow” is here. Now that I’m free. I’ll
show them whether I’m dead or not. I’ll use their very words. I’ll
make it bite.
JERRY
(_Completely lost_)
I don’t understand you or what you are talking about.
GRANT
(_Gives her a look_)
You don’t need to understand now, Jerry; THE SAND BAR has released
you.
JERRY
(_Hurt_)
I never heard you talk like this before. You’re unkind.
GRANT
(_Putting paper in machine_)
I don’t mean to be, dear; only my nerves are on edge.
JERRY
(_Begins to cry_)
I can see that. You’ve no regard for my feelings.
GRANT
I have my work....
JERRY
You seem so far off all of a sudden. To-night of all nights! Just
when you’ve made your first real success!
GRANT
(_More testily_)
Public-domain text, read in full here on John Shaqi.
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