Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
Scrub. Mop. Scrub. (_She looks up at the_ BRONTOSAURUS.) Keepin’
watch on me, too, ye dirty heathen. Grinnin’ there every day at me
a-scrubbin’ and moppin’.
(_She raises the rag, in momentary revolt, as though she were
about to throw it at the skull. But she stops sullenly as she
mechanically resumes her work._)
Ye dirty heathen ... me a-scrubbin’....
(_As she finds a hairpin and sticks it in her hair_, PROF.
POHL _enters, carrying a small plaster cast in which is
embedded the outlines of a fossil_.
PROF. POHL, _the curator, is a short, round-shouldered man
nearing sixty. He is absorbed in his scientific interest,
devoid of conscious humor and fundamentally inclined to be
impatient with anything that has not been dead for at least
several million years._)
PROFESSOR
Good afternoon, Sarah.
SARAH
(_Mumbling half to herself resentfully, as he walks over where she
has just mopped_)
And I was just after a-moppin’ up that place.
PROFESSOR
You’re cleaning up earlier than usual.
SARAH
Wipe ’em up as they comes, says I: it’s easier in the end.
PROFESSOR
But I’m expecting over two hundred soldiers here this afternoon.
SARAH
(_Astonished_)
Here? What’s the matter with ’em?
PROFESSOR
They’re slightly wounded.
SARAH
Shure: that explains it.
PROFESSOR
All the theaters are entertaining them so I’ve invited them here.
I thought the soldiers might enjoy having me personally show them
through the paleontological section. Dr. Taylor has volunteered to
explain the mummies.
SARAH
What between these dead ’uns and them ould ladies the boys’ll be
havin’ a foine time, all roight.
PROFESSOR
I thought it might be edifying, too.
SARAH
(_As she resumes her mopping_)
They’ll be a-makin’ more work for me; but footprints is footprints
no matter who makes ’em.
PROFESSOR
(_Looking in case at the right_)
Now where’s that card?
(_He tries to get key out of pocket to open case but he is
afraid of breaking the cast._)
Sarah, will you assist me?
SARAH
Me! Touch one of them dead corpses?
PROFESSOR
No; no. That’s so; you’d get them wet.
(_She watches him as he goes to bench and lays the cast down
carefully on the handkerchief he has spread for it. Then he
goes over to case, opens it with a key, returns for cast and
puts it with care and affection in the case._)
SARAH
Ye’d be a-thinkin’ it was a baby ye was puttin’ to bed.
PROFESSOR
(_Admiring them_)
All these are my children, Sarah.
SARAH
(_Mumbling as she looks up at the_ BRONTOSAURUS)
I’d see a doctor about it if I was their mother.
PROFESSOR
There. (_He closes the case._) That’s a very rare Pterodactyl.
(_She is somehow not impressed._) I’ve reconstructed it from five
tiny bones found in Oregon.
SARAH
(_Wringing mop with a contemptuous look at him_)
Why go to all that trouble?
PROFESSOR
I’m afraid you wouldn’t understand. I study fossils, Sarah, because
it is my profession--just as scrubbing is yours.
SARAH
Public-domain text, read in full here on John Shaqi.
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